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After the romantic comedies Love Made to Order, Superwoman, and Casting for Love, director Eva Toulová comes with a story in which the main role is not love, but power and money. The initial impetus for the creation of Mole's world was the real-life case of Josef Roušal, the owner of a Prague amusement park. For years, he has been rejecting the verdicts of state authorities that he operates his business without the necessary permits and infrastructure.

No plot available for this movie.

At the end of the 1960s, when the air is filled with rock-and-roll and student rebellions are changing the world, the older of two brothers joins a prestigious newsroom of the public radio broadcaster. Not long after, he finds himself in the middle of a dangerous conflict between journalists and the secret service.

A romantic feature film set in the world of today's thirty-somethings. A single, childless woman in her thirties does not meet the expectations of those around her, as she does not aspire to a dazzling career or starting a family. She struggles with everyday pressures until she succumbs to the pressure and decides to be the perfect Superwoman in every way, as society demands.

The main characters start their dream jobs and their lives finally take the right direction. Or is it not quite the walk in the park they imagined? Eva is the only woman to get a job at the best advertising agency in the country, but she has no idea that she will be working under a sexist boss. Vítek, on the other hand, has finally decided to open his own hypnotherapy practice after many years, but he encounters misunderstanding from those around him, who have no idea what to expect from hypnotherapy. Everything changes when Eva receives an advertising assignment with a single goal: to make the client fall in love with her.

Life of Czech composer Smetana, his search for love and artistic inspiration despite hearing loss, and quest for his muse Eliska. Navigating personal and professional challenges and the founding of the National Theatre in Prague.

Pavel may be in his forties, but he still hasn't fully matured. He lives with his mother and lacks the courage to do what would truly fulfill him in life. He only gets this when he meets his childhood sweetheart, Tereza, and spends an adventurous night with her. However, Tereza is not ready to leave her current life for someone who, according to her, is not a real man. So Pavel decides to become exactly that kind of guy. He signs up for a training camp in the Tatras led by Weisner, who teaches everything from chopping wood to seducing women. Will Pavlo manage to overcome himself and become the man Tereza longs for?

Teacher Majer is released from prison under an amnesty. His elementary school classmate Ivan, who lives in a Roma ghetto, takes him into his home. Majer has no family. He has no one left, so he welcomes Ivan's offer. Ivan tells Majer that he has decided to help him mainly because he needs to reopen the school where Majer used to teach and briefly served as principal. Living in the ghetto, Ivan is familiar with the problems of his community and knows that the closure of their beloved school has not been good for them. Majer begins to reach out to his former colleagues and, above all, his students to ask for their help. Many of his students also have children of their own. He experiences a number of comical situations with them. However, he has no idea that he is still being watched by Dostál, the eldest member of the mafia family, who knows that Majer has been released and decides to avenge his son and grandson.

This is the story of the Bohemian King, Přemysl Otakar II, and the forgotten pilgrim, Odorik, who was the first-ever European to set eyes on Tibet. This medieval road movie brings an unconventional view to these two great figures of Czech medieval history. While the character of Odorik, regarded as the “Bohemian Marco Polo,” is practically unknown to us, the Bohemian King Přemysl Otakar II is either demonized or dismissed by the traditional clichés of the “Iron and Golden King.” In a private conversational format, the film’s author gives us a glimpse of this medieval world, set nearly 700 years apart from our modern context. But nothing has been lost in terms of this world’s impact or relevance, for both Odorik and Přemysl have outlived their time. Their lives are surprisingly endearing and touch on many of our current feelings.
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