Javier García Pelayo

A wandering man drifts through La Plata's train station, becoming a lens through which we experience various scenes and moments from the Argentine city's daily life.

An employee at a private school is promoted and beyond that she has the strength to attack her dead husband for not being a man when he was traveling with her in a bus.

Ezequiel, a 40-year-old film director, has had a career marked by successes and failures.

The daughter of the owner of La Plata’s traditional coffee shop “Confitería Ritz” -who worked at Ojeda, Sarti and Santa Lucía pharmacies and now works at Santa Rosa pharmacy- hates living with other people at her home.

Making-of of an explicit film in which the plot is intertwined and confused with what happens behind the scenes.

No plot available for this movie.

Rafi arrives at Fali's house with his suitcase in tow because his wife has kicked him out of the house. It is not the first time this has happened, although this time everything will be different, since the mess Rafi has gotten himself into this time... He is one of the big ones. Fali would like to help her friend, but she is in a hurry: tomorrow will be her son's First Communion and all she has to do as a father is take the child's suit to the farm where the event will be held. During the next twenty-four hours, and with the clock counting down stalking them, the compadres will manage to get out of various messes to get into new entanglements.

The movie is a road movie where Triana's spirit is recalled across his friends, musicians, managers and admirers. The success of the band was mixing the magic of Rock Music with the deep musical roots of Andalusia. Gonzalo García-Pelayo,the director, and his brother Javier, friend, discoverer and manager of TRIANA, have created this cinematographic project with the intention of honoring the mythical band. Their original songs will be use used as background to represent the spirit of 40 years ago when freedom and music were an important way of life.

Lola and Luis are married until Manuel shows up and grabs Lola (and Trini, a florist friend and also a singer). This story of torn love will seem like the lyrics of a copla, the Spanish music genre to which both are dedicated, songs that border on love until death and that classically represent the absolute surrender of women to love. This love for Manuel divides the marriage and the friends.

No plot available for this movie.