Frederick Wiseman

An aspiring author looking to get more out of life takes up a writing residency and finds herself in the sort of romantic entanglements that could come from the pages of a Jane Austen novel.

When renowned psychiatrist Lilian Steiner learns of the sudden death of a patient, she suspects murder. She mounts a private investigation, enlisting an odd assortment of quirky characters.

As an imminent construction project looms over their beloved small-town baseball field, a pair of New England rec-league teams face off for the last time. Tensions flare up and ceremonial laughs are shared as an era of camaraderie and escapism fades into an uncertain future.

When aimless Manon begins work at À mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.

Rachel loves her life, her students, her friends, her ex, her guitar lessons. When she falls in love with Ali, she grows close to his 4-year-old daughter, Leila. She tucks her in, looks after her, and loves her like a mother... which she isn’t. Not yet. Rachel is 40. The desire for a family of her own is growing stronger, and the clock is ticking. Is it too late?

A large and beautiful property on the French Riviera. A place that seems out of time and sheltered from the rest of the world. Anna goes there with her daughter for a few days of vacation. Amidst her family, friends and the house staff, Anna has to handle her fresh break-up with her partner and the writing of her next film.

In a private collection in Arlington, French actor and director Mathieu Amalric, who won the Best director award in Cannes) takes his camera to one of Hopper's latest masterpiece, one of the most mysterious as well. As we hear the four last Lieder of Strauss or extracts from a Kennedy speech, that Hopper listened to while working, Amalric keeps pursuing the hidden meanings of his painting in its darkest corners. (With American documentarist Frederick Wiseman doing Edward Hopper's voice).

18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.

A short film by Nicolas Saada.

Simon, a disillusioned developer, carries a secret that could dismantle modern society: a code capable of remote neural hijacking. Hunted by his former architects, he seeks sanctuary within the echoing halls of the Musée d’Orsay—one of Paris’s final "safe zones" in a world of total digital surveillance. There, among the relics of the past, he must join a clandestine resistance to protect the future of human autonomy.