Christopher Durang

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

After her mother's death, mediocre chef Amanda Shelton is having trouble attracting customers to her family's restaurant. While shopping for ingredients, she is given a magical crab by mysterious Gene O'Reilly. Afterward, Amanda's dishes suddenly become excellent, inducing strong emotional reactions in everyone who eats them. Tom Bartlett, who is preparing to open his own eatery, tries her cooking and falls in love.

The adventures of married couple Henry and Nancy Clark, vexed by misfortune while in New York City for Henry's job interview.

A nice guy has just moved to New York and discovers that he must share his run-down apartment with a couple thousand singing, dancing cockroaches.

Michael Chapman, a former child TV star, runs a struggling talent agency specilizing in child acts. When a young girl off the street puts on a real performance after he catches her picking his pocket, he may have just found the next big thing.

Con artist Gwen moves into Newton's empty home without his knowledge and begins setting up house, posing as his new wife.

A clairvoyant woman thinks that she's met her future husband because she's seen him in a dream. They marry and he takes her back to his butcher shop in New York city, where her powers tend to influence everyone she meets while working in the shop. Through her advice, she helps others and eventually finds the true man of her dreams.

Madison Avenue executive Graham Marshall has paid his dues. A talented and devoted worker, he has suffered through mounting bills and a nagging wife with one thing to look forward to: a well-deserved promotion. But when the promotion is given to a loud-mouthed yuppie associate, Graham unleashes his rage on an overly aggressive panhandler, who he accidently kills by pushing him into the path of an oncoming subway train. He re-thinks his problems with an entirely new solution. First, he arranges an "accident" for his annoying wife. Then he creates another "mishap" for his boss. It seems like the world is once more Graham's oyster…but a missing cigarette lighter and a prying police detective may change all that.

After her husband loses his job, Marianne moves from Beverly Hills to a nightmare New York City. She hires ditzy psychic Reva to redecorate her apartment, and they end up being chased by a crazed killer.

The "bad boys of magic" go over the edge in this mind-blowing, role-switching comedy murder mystery set in the dizzying world of Atlantic City casinos. In a TV interview, Penn mentions his idea of a fun practical joke: "I wish someone were trying to kill me. It would give focus to my life, excitement. I'd be like James Bond." Twenty million people hear him. One decides to deliver a punchline he'll never forget. Made by people who thought Psycho was a comedy, Penn & Teller Get Killed (they also wrote the piece) features Caitlin Clarke as the femme fatale and David Patrick Kelly as the Edgar Allan Poe-esque nutcase with a new mission. Arthur Penn, known for hip masterpieces like Bonnie and Clyde, Alice's Restaurant and Little Big Man, directs with roller-coaster pacing and subversive intelligence.