
Nikita Andreevich Kukushkin (Russian: Никита Андреевич Кукушкин; born November 14, 1990, Moscow) is a Russian theater and film actor, public figure. One of the leading actors of the Gogol-Center. He studied at a school with a theatrical bias "Class-center". As a teenager, he performed in the Children's Musical Theater of a young actor. Later, he entered the College of Culture in absentia, but too...
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Burned-out ex-baseball player Hank Thompson unexpectedly finds himself embroiled in a dangerous struggle for survival amidst the criminal underbelly of late 1990s New York City, forced to navigate a treacherous underworld he never imagined.

The characters in the film embody typical reactions to torture: denial of the problem, the conviction that “it must have been deserved,” and indifference. But torture concerns everyone — you can choose to ignore it, but that doesn't make it go away.

Captain Fedor Volkonogov works in law enforcement. He is on the good books of the management, and his colleagues respect him. But one day, his life abruptly changes: he is declared a criminal. The Captain manages to run away before he is arrested. Suddenly he turns into an outcast, whom his former colleagues search across the whole city. At night Volkonogov is visited by a messenger from the other world, who warns him that after death he will go hell and be tormented forever. But he has an opportunity to change his fate and get to paradise if he repents, and at least one person forgives him. The Captain embarks on his way to find forgiveness. But he cannot even fathom what tests are awaiting him on this way.

Valeriy Pecheykin's one-man theatrical piece explores and celebrates the life of Prince Vladimir Fyodorovich Odoyevsky, an aristocratic 19th-century Russian polyglot. Using inventive mechanical, musical, and acrobatic set devices, the play sketches out boundaries of Odoyevsky's eccentric character by imagining his pursuits across time and place.

The matriarchal clan led by gorgeous Margarita enters a turbulent period when her son loses his beloved fiancée. Using the structure of a repetitive ritual, the action spans years but takes place mostly during the annual gatherings of Margarita's extraordinary family in their mansion on New Year's Eve. Margarita believes in the magical 13th hour that can break the eternal circle of repetition, defeat death and bring her much-awaited love.

On July 30, 2018, documentary filmmaker Alexander Rastorguev was killed in the Central African Republic. He left a unique mark on Russian cinema, but managed to do much less than he could. "Rastorguev" - a portrait of one of the brightest and most free filmmakers of our time; direct speech and fragments of films, forming a single statement about the meaning of art, homeland and pain.

Maybe you've seen or heard these phrases on Instagram, in a coffee shop, at an event, from friends, maybe you even use the app and already provide your grandparents with food baskets every month. Just six months ago, no one knew about "Help" and how easy it really is to help. But thanks to a group of people who have decided that they will talk about helping others in the language of technology and modern media, we are increasingly seeing a circle held by two brackets in different cities of the country. This film contains a brief history of "Help" for those who do not know anything about it, an introduction to the team that is mad in its bravery, as well as the cycle of events that is happening with "Help" now. A trip to Sasha Gudkov's hometown, a trip and a performance of the team at the Avaz festival in Kazan, where they work in a car, on a boat, walking around the city, coming to concerts and talk a lot about "Help".

Filmed theatre play based on 'Rocco and his brothers"

A small but powerful orchestra with strict melodies and rhythms in the spirit of “Avia” unleashes a mechanical frenzy: artists under a thick layer of make-up are throwing replicas from Harms' stories and notebooks. Ultimately, this plotless musical by Maxim Didenko with the artists of the Gogol Center claims to incarnate (literally, from the word “flesh”) the universe of a unique writer, the demiurge of a dislocated reality.

24-year-old Platon is not quite clear about what to do with his life. Because of his parents’ connections, he ends up as junior employee of the Ministry of Foreign Affairs. After less than a week, he receives an absurd — and almost impossible — task from his eccentric boss. To his help comes Pasha, his friend and flatmate. The young lads understand that for an unusual problem they need an unusual solution.
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