Hanna Azoulay Hasfari

A semi-autobiographical portrait of an Israeli director grappling with creative block as he tries to bring his second feature to fruition. What was supposed to be a personal and heart-warming script about his journey from an ultra-orthodox upbringing in Jerusalem to a secular life in Tel Aviv turns into an obsessive manifesto containing thousands of pages and hundreds of hours of voice recordings dealing with Jewish identity, its problems, and possible solutions.

Rina can't look into the eyes of her son, Dean, who's under house arrest at her home. Tomorrow his trial begins, and Rina doesn't know if she can handle an extension of the house arrest. When her doubts regarding his innocence are undermined by increasing hostility from her neighbors, Rina is required to be a supporting mother despite his (alleged) acts. Today, she will have to look in his eyes and hear the truth.

The Ohaion family is mourning the death of one of their relatives. In keeping with tradition, they gather together in the home of the deceased and stay there for seven days. Forced to put up with one another day and night, the brothers and sisters soon let their bitterness and arguments override the sense of communal reverence. The atmosphere becomes unbearable and long-buried truths finally surface.

The second chapter in Assi Dayan's trilogy centers on three marginal characters from "Life According to Agfa". Malka, a whore with a Romanian accent who dreams of becoming a singer, Levi, her pimp and Moshe, a homeless man who dreams that Malka will love him and follows Malka and Levi. Levi navigates the trio in a grotesque and turbulent world in which people have lost the purpose of their existence. The result is a black comedy that combines the elements of the film "Bourekas" with poetic enlightening moments, all in the special, confident and blatant style of Assi Dayan.

A Jewish Moroccan immigrant family living in Israel is nearly destroyed by conflicts resulting from generational differences in this arresting Israeli drama. It begins as Cheli, a successful but emotionally troubled talk show host who has been unable to deal with her traumatic childhood is traveling to attend her father's funeral. She is accompanied by her mentally ill sister Pnina and her adopted estranged daughter. It is a hellish trip and as they travel, flashbacks chronicle their painful youth. Rachel had always wanted to break away from her family's Moroccan heritage and so spent much time trying make herself fit in with her Israeli peers. She was humiliated by her poor, ignorant family. Her father was an overbearing, blindly religious fanatic and their mother was a witch who manipulated the family by casting spells. She feared her mother, and despised her insane sister, to whom she was very cruel.

A terrorist places an atom bomb somewhere in an American metropolis. The president of the U.S. has no other choice; he has to call Delta Force.

A Jew and an Arab in Israel become romantically involved, much to their family's dismay.

A story about an Arab girl in a Jewish school.

An avowed anarchist and Stern Gang hitman is sent to Jerusalem to assassinate a senior British officer creating much tension within the already troubled cell and almost brings its collapse, as the British operatives are closing in.

Yaky Yosha's 1982 Israeli drama Kvish Lelo Motza (aka Dead End Street) observes the trials and travails of a young prostitute named Alice (Anat Atzmon) who is thrust into jail alongside her pimp and hustler boyfriend. In desperation, Alice devises a scheme to save both of them: she will take the steps necessary to free herself, then set about raising the money to save her beau. However, she fails to anticipate the arrival of a documentary crew comprised of husband and wife Yoram (Yehoram Gaon) and Miri (Gila Almagor), who insist on filming her as she undergoes rehabilitation; when Yoram begins to fall hard for Alice, it draws the ire and chagrin of Miri, who begins to seethe with jealousy.