Lloyd Reckord

Loose cannon cop Capone returns to his home town of Kingston to join a group of officers fighting organised crime in the area. On his first day he uncovers gun smuggling operation that may be connected with lead criminal Oney. However his old crew, led by Ratty, also are involved leading Capone to a choice between his job and his old crew.

A Jamaican comedy, the story of a village madman, Aloysious, who has the amazing ability to talk to anything, including trees, cows and cricket balls.

An unemployed black student borrows ten shillings from a friend, then lends the money to a musician he has just met.

Barry Reckord adapted his stage play for TV and his brother Lloyd plays the central character – a Jamaican new to London. When he begins a relationship with a white woman, he finds himself in conflict with his mother, who has great expectations for him. The very early intimate portrayal of this interracial relationship broke new ground, and is believed to feature one of the world's first examples of an interracial kiss on TV.

A writer attempts to raise some cash by writing a book about the Loch Ness Monster. No publisher will take it because they all think there isn't really a monster. The writer and some of his friends make a fake monster and take photographs and then travel to Scotland to see if they can convince the locals.

"In Jan Carew’s explosive drama, Sammy Davis Jr gives a memorable performance as a proud but disillusioned revolutionary who aims to destroy the remnants of white colonial rule in a new African nation. The political themes explored remain incredibly prescient." - BFI

Two Scotland Yard detectives investigate the murder of a young woman of mixed race who had been passing for white. As they interview a spate of suspects -- including the girl's white boyfriend and his disapproving parents -- the detectives wade through a stubbornly entrenched sludge of racism and bigotry.

Jacko, a respected union man, is fighting for the promotion of a Jamaican colleague to chargehand, but when his daughter brings home her black boyfriend, he realises that racial prejudice is rife within his own home. This powerful drama exposes the deep-seated racial tensions hidden in British family life during the late 1950s. Written for the stage by Unity Theatre's Ted Willis, this television recording was filmed a few weeks after the play's successful West End run, and most of the stage cast repeat their roles here, including the terrific John Slater, Andree Melly and Lloyd Reckord. The drama's interracial kiss is probably the first to be shown on British TV.