Elisabeth Kaza

Michel, was born in Latin America, "on the other side of the world", as the script emphasizes, of a French father he hardly knew at all. He goes to Paris to start a new life. His only possession is a painting which his father left him, along with the advice: "If you ever need to sell the painting, do so in France, where it's worth a fortune." But Michel discovers that his father's tumultuous and secret past comes along with the valuable painting. Meanwhile, Clara, a middle age Spanish-Argentine mother gets a strange present from a now dying childhood friend in Buenos Aires. It's a roll of Super 8 film which brings back very strong, and emotionally charged memories from the 1970s and before.

Jack Palmer is a Paris-based detective with a huge ego. Ange Leoni is a rebel native of Corsica whose location can't be pinned down by even the most dogged of detectives. Approached by an obscure, small-time attorney and charged with the seemingly simple task of locating the missing Leoni, gifted gumshoe Palmer accepts the job under the assumption that it will be the easiest money of his professional career. But this superstar sleuth is about to find out just how mistaken he was...

Overburdened and stuck in a greying marriage, Giovanna takes to caring for a Jewish Holocaust survivor her husband brings home. As she begins to reflect on her life, she turns to the man who lives across from her.

Feature film about the life of André Malraux. While still a teenager, Malraux embarks on an initiatory journey in search of the artistic and literary culture of Paris. He won the Goncourt Prize for his fourth novel and went to Spain to fight fascism.

Delphine meets Manuel. Fragile and elusive, the young man escapes him. Manuel leaves the city to flee his illness, a cancer. Delphine goes in pursuit and plunges into a world of dark encounters.

No plot available for this movie.

John Reilly discovers that his family's newly inherited castle in Italy is haunted by a relentless, bloodthirsty creature.

Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.

In this highly symbolic political allegory, Averill is traveling through a troubled countryside amid rumors of war to visit his father. He reaches a train station in a city which is paralyzed by a transportation strike and is forced to take lodgings in a bizarre, unattractive town populated by seemingly malformed individuals. After a while, he begins to try to woo a much older woman, and symbolic images of entrapment, imprisonment and erotic enticement mark his adventures in this regard.

In 1957 Trieste, a few months before the general ban on brothels, inexperienced country girl Mimma becomes Paprika to finance her useless boyfriend as a prostitute. Amid the hustle and bustle of Rome, Paprika drifts from one brothel to another as she learns the ropes and works her way up one client at a time. However, as Paprika embarks on a stormy journey of self-discovery and sexual liberation, the sense that something is missing haunts her. Is Paprika meant to experience a passionate romance and solve the great mystery of true love?