Pablo de la Torre

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

Olivier Desroses and Juliette Carignan have two children, Mélanie and Quentin. They decide to leave Paris for Burgundy. Juliette, just out of a long period of unemployment, takes on the sales management of a major wine and spirits trading company, a unique and highly remunerated opportunity. Olivier, a committed French teacher in the Paris suburbs, tired of his years of teaching battle, decides to follow his partner and take a sabbatical year.