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Akram is a perfectionist wedding photographer who dreams of finding Miss Right. He indeed finds her in the unlikeliest of places: her wedding ceremony.

Between the Setback of 1967 and the glorious October War, Abdel Rahman feels despair following the defeat of his homeland as he witnesses the changes that occurred to the people and their journey from despair to determination to restore their land and dignity.

In 1990, Moumen Smihi briefly re-located to Cairo in order to work in the shadow of one of the world’s largest commercial film industries. The film that resulted from his Cairo sojuourn is a complex, painterly critique of the Egyptian musical and cinema star system. At the same time, the film shows the divergent states of possibility or despair faced by men and women within a changing Egyptian society. Smihi’s film plays out over thirty years and the events of the Nasserite years and the Palestine / Israel conflict become integral to the narrative. By blending newsreel footage with his own lush cinematography, Smihi creates a complex portrait of contemporary Egyptian society in the post-war years.

A hooker decides to repent after she gets married and gives birth, but when she discovers that her husband is an addict, she convinces two of her friends to steal some jewelry, but things do not go well after the apartment owner and her child were killed during the robbery. Making her accused of a crime she didn't commit.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.

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This big-budget historical epic from acclaimed Egyptian director Youssef Chahine features a crazed turn by Patrice Chereau as Napoleon Bonaparte. The film, an Egyptian-French co-production, deals with Napoleon's occupation of Alexandria and its effect on a typical Egyptian family. Michel Piccoli leads the cast as a general in Napoleon's army who tentatively befriends a local poet.

Khamis and his brother Khalil poison their father to get rid of him, after he threatens to write his fortune to his new born son Hamada, who he had after marrying his maid Firdaws. Firdaws is accused of killing her husband because she brought him food without knowing about his sons' plot, while Khamis and Khalil get rid of their little brother by leaving him in the middle of Cairo's traffic to get lost. Hajj Younis finds the child and takes care of him, then he joins the music institute, and a love story develops between him and his colleague Souad.

Bassima looks forward to marrying her daughter Siham off to Ahmed, the teacher who lives in her house. When Siham accuses Ahmed of assaulting her, causing him to be fired from his work and ruining his reputation, Ahmed becomes determined to reveal the truth.

Wezah and Hamdi succeed in recruiting Iman to work with them in drug smuggling, Iman travels to Tunisia on a mission for both Hamdi and Waze. Eman's material condition improves and she decides to stop this job and cancel her travel.
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