Alex Descas

Lucy works in an understaffed pediatric ward. When 4-year-old Adam is placed in her care, Lucy is confronted with his mother Rebecca’s refusal to leave his side, despite a judge’s restriction against her. For the sake of Adam, Lucy will do everything in her power to help this mother in distress.

Forest dwellers pound drums upholding rituals while urbanites cry "Progress!" More plunder the land's riches but newly defiant ones shout back.

In the Namunyak Wildlife Conservancy in Kenya drought is a menace to both humans and animals. This documentary follows two Elephant Guardians in their tireless work to protect this endangered species.

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Frantz Fanon alone embodies all the issues of French colonial history. Martinican resistance fighter, he enlisted, like millions of colonial soldiers, in the Free Army out of loyalty to France and the idea of freedom that it embodies for him. A writer, he participated in the bubbling life of Saint-Germain with Césaire, Senghor and Sartre, debating tirelessly on the destiny of colonized peoples. As a doctor, he revolutionized the practice of psychiatry, seeking in the relations of domination of colonial societies the foundations of the pathologies of his patients in Blida. Activist, he brings together through his action and his history of him, the anger of peoples crushed by centuries of colonial oppression. But beyond this exceptional journey which makes sensitive the permanence of French colonialism in the Lesser Antilles at the gates of the Algerian desert, he leaves an incomparable body of work which has made him today one of the most studied French authors across the Atlantic.

After long years spent in exile in Paris, Lyubov, a strange and elusive woman, returns to her ancestral estate, about to be sold to pay off the family’s debts. As the centre around which the play revolves, forever oscillating between tragedy and comedy, this maternal figure, this mater dolorosa, played by Isabelle Huppert, returns to a family unsettled by the future of the estate, and more largely, by that of this world she left behind. Modern society, with its social changes, is right around the corner, noisily announcing its arrival.

After scuttling her career as a singer, Jewell Stone lives in Paris a job as a waitress. Marie, her grandmother and only family, who lives in Vermont, USA, arrives overnight to see her. But how to welcome her when Jewell tells her so long about her life, her work and her loves? From one letter to another, she has invented a career that works, a life with Paul, and even a girl, Ruby. But as an Italian proverb says, lies have short legs.

The story revolves around 22-year-old Laure, who is trying to find her feet. After performing brilliantly in her literature studies, she enrols as a communications officer in the Naval Fusiliers. She will quickly have to adapt to and assimilate the rules that apply within the institution. But Laure is a determined woman, and she has a thirst for knowledge – still. A thirst to learn to get to know and be comfortable with herself, and to find her place.

The film follows a 30-year-old man named Gabriel, a French war reporter who was taken to hostage in Syria and then heads to India after months in captivity.

Having arrived in Paris in 1985, Hector did everything to be like “them”. In a notebook he finds in his flat, he crosses out a list of things he should do or pay attention to if he wants to become part of the French elite. In a painful dialogue with Martin, his alleged son, Hector notices himself in Martin; a young man full of dreams and ideals that turn out not to be matched by reality. Metropole is a film about migration, about assimilation, about the haunting of one’s past. It is a film about identity; lost, assumed, false. Metropole tells the story of millions of people out there who leave their homes behind in order to find a new one.