Jonathan Winters

Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). In creating these new sequences, Kremer comes to recognize that the exercise effortlessly draws cultural and historical parallels in twentieth-century American life that echo in present-day America. The editorial mashups weave a tangled web of social and cinematic history that root our notions of Americana in the mythology of the desert. As Kremer expounds in his narration on these often astonishing and sometimes shocking associations, his very personal ties to the subject matter become manifest.

The evil wizard Gargamel creates a couple of mischievous Smurf-like creatures called the Naughties that he hopes will let him harness the all-powerful, magical Smurf-essence. But when he discovers that only a real Smurf can give him what he wants, and only a secret spell that Smurfette knows can turn the Naughties into real Smurfs, Gargamel kidnaps Smurfette and brings her to Paris, where he has been winning the adoration of millions as the world¹s greatest sorcerer. It's up to Papa, Clumsy, Grouchy, and Vanity to return to our world, reunite with their human friends Patrick and Grace Winslow, and rescue her! Will Smurfette, who has always felt different from the other Smurfs, find a new connection with the Naughties Vexy and Hackus or will the Smurfs convince her that their love for her is True Blue?

When the evil wizard Gargamel chases the tiny blue Smurfs out of their village, they tumble from their magical world and into ours -- in fact, smack dab in the middle of Central Park. Just three apples high and stuck in the Big Apple, the Smurfs must find a way to get back to their village before Gargamel tracks them down.

A famous comedian and artist wants to display his work at an art museum. Just when he thinks he's lost his touch, a series of famous comedians drop by to help him rekindle his artistic and comedic spark.

In the late 1950s, a fresh, unconventional style of standup comedy emerged in sharp contrast to the standard "Take my wife, please" approach. It tackled such previously taboo subjects as sex, religion, drugs, and politics, and ushered in an avant-garde era of comedy that was decidedly more cerebral, satirical, and improvisational than before. Here are many of the maverick comedians who took those big risks years ago and paved the way for today’s current crop of outrageous, in-your-face comics. Many of these rare television performances have not been seen in 30 or 40 years. Carl Reiner & Mel Brooks (1966) Jackie Mason (1961) Bob Newhart (1966) Shelly Berman (1966) Bill Cosby (1965) Jonathan Winters (1961) Smothers Brothers (1974) Steve Martin (1977) Rowan & Martin (1964) Lily Tomlin (1975) George Carlin (1967 & 1975) Richard Pryor (1967 & 1974) Andy Kaufman (1977) Hendra & Ullett (1966) Billy Crystal (1976) Jay Leno (1978) David Letterman (1979)

A guy starts a fake casting agency in hopes that he will meet his soul mate.

Offbeat comedic genius Jonathan Winters paved the way for other unhinged comedians such as Robin Williams and Steve Martin, and this rare collection showcases Winters in some vintage performances. Clips include Winters sharing the stage with crooner Andy Williams in a "Chevy show"; a 1964 TV special with Honeymooner Art Carney and legendary talk-show host Jack Paar; and Winters as five different characters in a public service announcement.

Hugh Hefner, Stan Lee, Mark Hamill and Kevin Smith journey into the world of comic book fandom! Documentary filmmaker Donald Swan heads to the world's largest comic book convention where he encounters a culture of craziness that he's totally unprepared for.

From its distinctive neighborhoods to its architectural homes, Los Angeles has been the backdrop to countless movies. In this dazzling work, Andersen takes viewers on a whirlwind tour through the metropolis' real and cinematic history, investigating the myriad stories and legends that have come to define it, and meticulously, judiciously revealing the real city that lives beneath.

Anthony is caught between dreams of being a musician and pleasing his father and fiance. Encouraged by his great uncle, Anthony finds inspiration from a mysterious older woman in an other worldly night club, who teaches him to find happiness through swing dancing.