
Bogdan Farcaș is a Romanian film and theater actor. He was born on January 13, 1980 in Iași, România. He graduated from "George Enescu" University of Arts Iași in 2002. In 2013, he plays first role in the movie Domnișoara Christina. Known for work in films Neidentificat (2020), Killing Salazar (2017) and Walking with the Enemy (2013). - IMDb mini biography by: smih-13465
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A family adventure about a 12-year-old boy who embarks on a treasure hunt with his friends after discovering a mysterious letter addressed to his late mother.

A desperate young woman is forced to drive a mercenary and a stolen alien device through a land infested with monsters.

When war erupts in Ukraine, three women from different worlds collide at the Romanian border: an Italian woman searching for her missing husband and unborn child, a Romanian mother fighting to save her daughter, and a young Ukrainian surrogate forced to choose between survival and motherhood. Blending documentary reality with fiction, the film explores resilience, sacrifice, and the fragile bonds that emerge in times of conflict.

Kîzîm is a 2025/2026 Romanian drama film directed by Radu Potcoavă, exploring the conflict between tradition and love within the Tatar community in South-Eastern Romania. The story follows 15-year-old Selda (Yeliz Mustafa) as she navigates teenage life, love for a Christian boy, and her family's strict, traditional expectations.

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Four friends dream of owning a fishing pond but lack the money.A mobster lends them EUR30,000 and Vio loses it.Desperate, they turn to Vio's rich brother-in-law, but their efforts create chaos.In the end, friendship help them save the day.

A Chilean woman, Teresa, comes into a firmly structured and isolated mountain community of Croatian shepherds in the early 20th century, claiming to be the widow of their émigré brother. Her arrival changes the dynamics between the members of the community and brings unrest, but also inspiration for other women.

In the remote Romanian village of Catane, a community of villagers, long surviving on disability benefits obtained through ambiguous means, faces exposure when a local inquiry descends. What unfolds is not a story of deception, but of unexpected ingenuity as the villagers craft a disarmingly poetic and humorous response to the absurdities of a broken system. In reinventing their way of life, they reveal not only a means of survival—but a radical model of communal resilience in a fractured world.

Ramon's life seems perfect: he is married to Sonia, he is about to become a father, and he is getting ready to enjoy the most wonderful Christmas. But when a letter sent three years earlier reaches him on Christmas Eve, everything is turned upside down. Ramon discovers that Sonia has a niece no one knew about. Determined to do a good deed and give his wife the most beautiful Christmas gift, Ramon sets out to find the little girl. But things are not that simple, and Ramon once again finds himself caught in a series of mishaps full of humor, suspense, and emotion. As usual, even though he tries to do only good, events take an unexpected turn-and Christmas itself is in danger. Will Ramon manage to save Christmas?

Shot on 16mm in one of the most remote regions of Tara Mountain, 1,050 meters above sea level, Balanar was a two-year odyssey marked by multiple production halts. Driven by an insanely devoted crew—composed of some of the finest film professionals working in Serbia today—the film also features a haunting score by legendary German composer Hermann Kopp (Nekromantik). Inspired by Żuławski, Carpenter, and Milius, Balanar is a love letter to American midnight cinema and Balkan mythology. It blends heavy metal, pop culture, and folk tradition—but at its core, it is an existential horror.
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