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Károly Makk strings together two novellas by Tibor Déry. A téglafal mögött is set in the early 1950s. Comrade Bódi, an embittered party worker, reports his fellow workers who are stealing ‘the assets of the people’ from the factory. During the subsequent public investigation, one of them commits suicide. The camera of Makk tells the story of the period through the crumpled face of Jozef Króner, the blank, hopeless stare of Mari Törőcsik and images of a decaying factory site. In Philemon és Baucis, like in Szerelem, the subject of ageing is tied to the traumas of the 1950s. History turns the idyllic private life of an elderly couple (Elma Bulla and Antal Páger) upside down. The 1956 uprising sweeps an injured fighter their way. The old man helps as best he can while his wife desperately tries to save her husband…

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Karoly Makk's heartbreaking story of two unmarried sisters who cast wistful glances back at their lives, but still believe in hope and love, earned an Academy Award Nomination for Best Foreign Language Film in 1974. In this follow-up to the director's internationally acclaimed Love, Makk once again exhibits his extraordinary skills at drawing emotionally compelling performances from his talented female leads. Makk's film opposes the bleakness of the outside world with passion, love, and loyalty.

This film shows us around a factory in the seventies in Hungary. In the outskirts factory of Kőbánya workers celebrate the foundation members and want to present the oldest member, Uncle Benda, now a pensioner, with a golden ring. His grandson, Karcsi Merkovics, an industrial apprentice, is in love with the foreman's daughter.

Emilia Odor is a young, seventeen year old girl. She end up in a rural girl institute, which has strict rules, a hypocrite faculty and she soon starts to rebel against it. Her schoolmates support her until then the manager announce a competition among the students: the most deserving student will participant in the millenial festival in Budapest.

The film is a parable about honesty. The tired and sick country physician, doctor Weiss, has worked all through his life. He could finally withdraw from working, but his young successor leaves the district because of a trip abroad. Weisz is asked to continue working for some more time. For all his protestations, nobody seems to listen to him. Eventually, in spite of the protestations of his wife and his bad health condition, he consents.

Nelli, the icy, introverted farm girl, needs to find a husband following her father's death. She accepts the attentions of the noisy Takaró Sanyi, although she is more attracted to his silent and modest younger brother.

Jirka is a composer, his wife, Jana, a pianist. Jana would like to have an own concert, but so far she has only been selected to accompany Valenta during his concerts in Budapest. After some resentments, she accepts the proposal.

Csepel, 1945. The Csűrös family, in addition to their three children, give accommodation to the orphaned Jóska, although they themselves struggle with difficult circumstances. The boy lends a helping hand in the factory during the days.

About the life of young people in Hungary in the late 50s, their joys, hopes and dreams. When Joly entered the factory, she wanted to be as cheerful and carefree as the other girls, and she didn't tell anyone that she had a son. And now, when the wedding day with Ferenc is almost set, Yoli walks around sad and confused. She doesn't know how Feri will take the news of her son. She is afraid that Feri, who loves and trusts her very much, will never understand or forgive her. But Feri turns out to be a real man, and Yoli together with little Ali finds her true happiness.
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