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Some time ago, Robert took some photos of military action which are now endangering his life. He is on the run from those who would find their publication damaging and is headed for Syria, where he believes he will be safe. While in Istanbul, he meets a pop singer, a woman half his age who gives him the erotic charge of his life. He begins taking film of their bedroom encounters and says some pretty excessive things about how marvelous she is to him. Meanwhile, his local friends don't trust or like him enough to help him stay in Istanbul, and it seems that he will have to continue onward in his journey to safety.

Kerem goes to a village to start a new life for his family. It will not be easy for Kerem's wife Neriman to get used to her new life.

Hasmet, director of love stories, wants to make a film which is different than the movies he made before. This movie has a social message. He tries to find a producer but film industry is mainly out of money. When he thinks he finds one, nothing goes as it planned.

The film tells the story of a mother who has lost her child. After losing her husband in a traffic accident, Güzin is left alone with her physically and mentally disabled son Sedat. She spends a long time looking for a caregiver to look after Sedat. All the caregivers she finds refuse to work because Sedat is disabled. Güzin locks Sedat in his room and leaves him alone at home while she goes to work. However, one day when she is called to the hospital for an emergency, she forgets to lock the door. When she returns, she finds her son’s lifeless body. All investigations determine that the death was the result of negligence. Therefore, Güzin is found guilty. However, Güzin, who does not believe the verdict, begins searching for her son’s killer.

Tunç, who is a director, is looking for a location in a small town for his new film. He observes everything around him for his screenplay. However, he constantly changes what he writes because he doesn't like it. He tries to turn some of the events he sees into stories. But he can't seem to get it right. One night, Tunç visits his neighbor Seniha, an old actress. Some of the things Seniha says inspire him. He returns home and sits down to work on the screenplay. Tunç, who becomes deeply engrossed in the screenplay he has written, will fall into a state of mental breakdown.

The story of nine independent women from various parts of society who committed various crimes.

In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.

No plot available for this movie.

Directed by Zeki Ökten.

After receiving a letter from a woman named Asiye asking for help to save her, the President of the Associations Against Prostitution visits the brothel to save Asiye. However, she finds herself in a strange musical show.
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