Ken Yoshizawa

Yuji and Yuriko's peaceful life shatters when an old diary belonging to Yuji's great-uncle Sadaichi, who died in the war, is discovered. The pages are full of an obsession with life... and one strange phrase: "I want to devour the bird—Hikuidori." From that day on, eerie phenomena start to haunt those connected to the diary. As the nightmare deepens, a strong will to live—once buried with Sadaichi—begins to twist the past and bleed into reality.

A road movie about Yoko, a frustrated part-time worker who hitchhikes to her hometown of Hirosaki, Aomori, where she has not returned for 24 years, after hearing the news of her father's death.

A lonely researcher doubting his own existence builds an android which looks exactly like himself.

Masaya is a university student, but he attends a school that's not his ideal school. His days are generally gloomy. One day, he receives a letter from serial killer Haimura. He was convicted for nine murders and received the death penalty. Back when Haimura was committing his murders, he ran a bakery store. At that time, Masaya was a middle-school student and a customer at his bakery store. According to the letter, Haimura confesses to having committed eight murders, but he insists that he did not commit the last murder. Masaya begins to investigate the last murder case involving Haimura.

A frustrated young woman returns from Tokyo to her hometown in Toyama where she meets an old woman who lives alone. There she slowly finds purpose in life by taking "photographs" that spin memories instead of ghosts.

No plot available for this movie.

A young man wanders and makes calls to elders who live alone. Saying “Granny, it’s me,” he lies to them that he is their grandson. An old lady, who runs a music shop in the declining shopping area in Amakusa, answers his call and warmly accepts him. Pretending as her grandson, he settles down in the town. He gets used to his friendship with young villagers, the sound and landscape of Amakusa, and the old lady’s everyday life.

Thirty years after aboy's disappearance, a journalist revives interest in the case, which in turn compels the victim's brother to look for this woman's daughter in the snowy hinterlands of northern Japan. This sets off a series of events that causes the brother and the woman's daughter to glimpse the truth that has been concealed by their vague and painful memories.

After a man gets fired from his work at a printing plant, he moves with his couple to her hometown in Ishinomaki, Miyagi Prefecture. There, the woman opens up a beauty salon. They enjoy peaceful days, but small problems occur which leads to an irrevocable situation.

In Spring 1969, 21-year-old Megumi Yoshizumi goes to Wakamatsu Production. The company makes films popular with young people. Pink film director Koji Wakamatsu gathers there with young talented people who are all fascinated with movie making. When they are not making movies, they spend their time smoking, drinking alcohol, scouting for actresses and looking for material for their next film. When filming begins, everybody immerses themselves into the production and will do everything on the filming set from running, shouting to acting.