Ivo Serdar

It’s the winter of 1942. A freight train on the section of the Slavonian railway Vinkovci-Nova Gradiska is under a special Gestapo escort. Fleeing misfortune and evil brought by war, the last wagon is the place of encounter of politicians, war smugglers, deserters and tamburitza players.

Based on a TV sit-com series and set in World War II, about how an ordinary woodcutter develops into an active partisan fighter.

A projection of the situation in monarchist Yugoslavia after the infamous Proclamation and the Law on the Protection of the State, when repression and police violence stifled any progressive idea. Inspired by some literary works of Miroslav Krleza.

A film about a small-time gangster, a loser who seems is finally on the road of going straight.

A theater premiere of Timon of Athens ends with a rapturous applause from the audience, and Boris, the lead actor (Boris Buzančić), is congratulated for having played the role of his lifetime. Encouraged by the sense of his own worth, he starts a romantic affair with a prompter, spurring gossip in the theater. The ensemble embarks on a tour, but as their performances achieve more success, Boris is becoming less liked among his colleagues, and he begins to experience the fate of the character he is playing...

A farcical parody about a group of upstarts who, in the imaginary seaside town of Cipoli, clash with the Venetian cops, led by the comical captain Trapollo.

I. S. returns after many years to his hometown, from which he escaped after WW II, fearing that, as a civil clerk of the NDH, could suffer prosecution from the new government. He has been falsely accused to be a member of Ustasha movement.

The satirical story is about the abuse of provincial party managers in the 1970s.

Two friends try to tear out their lives from the clutches of idle. An existential study of ordinary lives led by two alienated urban white collar workers, Accidental Life was the only feature film of Ante Peterlić, Croatian film theorist and film critic. The film received mediocre reviews and went largely unnoticed after its release, but has been reevaluated decades later as one of the best Croatian films ever made.

The drama questions what would happen in private and professional terms to a man who would start telling his friends and work colleagues everything he really thinks.