Olga Damani

In 1943, 10-year-old-Rozina, from her hiding place (a small apartment in the center of the Thessaloniki) decides to write her diary under the fake name Roula Karakotsou. This was her only escape from the Nazis, as she endured 548 days of nameless existence in silence. The viewer experiences her adven- ture through her childish gaze, her narratives, as long as she is hiddden.

On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want?

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

When a series of brutal murders begins, Christos is the only person who can explain what happened. He starts narrating a story to two police officers, a story in which nobody is who they seem to be and they all switch roles and positions up until the final twist. A story about deception, following a narrative that manipulates till the very end.

Peter is a successful chef with an unstable emotional life and Zoi is a romantic girl who sews children's costumes. A passionate love affair begins, but the refusal of the first to commit seems like an insurmountable obstacle.

A universal theme: a story of people trapped in an inhuman network of power. The brutal circle of the Eurogroup meetings, who impose on Greece the dictatorship of austerity, where humanity and compassion are utterly disregarded. A claustrophobic trap with no way out, exerting pressures on the protagonists which finally divide them.

The true story of the greatest Greek writer of the 20th century, Nikos Kazantzakis, based on his work, Report to Greco, which is, essentially, his autobiography.

One night. One bar. 15 stories. And only one waiter to serve them. A young man, with no previous experience working in a bar, gets a job as a waiter. During one night he meets and serves various customers to the best of his abilities, and comes face to face with their quirky personalities and strange stories. A series of vignettes taking place in one bar during one night only.

A retiring man in rioting Athens faces ghosts and memories from the past to make choices about the present.

A gently ironic portrait of a midlife crisis. Pavlos takes over the job of building manager just as a sewage pipe bursts. Will Pavlos succeed in fixing the broken sewage pipe before he can fix his own wrecked life? Director Hoursoglou succeeds in creating a faithful, entertaining, and even touching portrait of "ordinary" interpersonal relations.