
Cora Bissett (born 1974) is a Scottish theatre director, playwright, actor and musician. As a director she has created Amada, Roadkill, Grit: The Martyn Bennett Story, Glasgow Girls and Room. As an actor she had regular appearances in the television programmes Rab C. Nesbitt and High Times. She is an associate director at the National Theatre of Scotland.
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Confronted by an old acquaintance, Lee is taken aback by the question, "Do you have kids?" It's a friendly question tossed casually into conversation, but for Lee it has a complex and difficult answer. How to encapsulate the world within her, another dimension where the traumatic and beautiful exist side by side? Exploring and enduring this place, Lee finds the strength she needs to answer.

Schooled in Fife, coming of age in a rock ’n’ roll band, then finding her forte was directing temperamental actors, Cora Bissett is no stranger to theatrical Scottish swearing. So who better to present a celebration of Caledonian cursing? This documentary sees Cora sing, swear and scrutinise why Scotland swears so well. Cora begins with the first hurdle – how does one discuss swear words on the BBC? Aunty Beeb is the institution that has been historically priggish about language - always bleeping words and apologising for those that slipped through. So Cora runs a list past BBC Scotland’s head of editorial standards to see what she can get away with.

Eve is a catastrophe—low on self-esteem but high on fantasy, especially when it comes to music. Over the course of one Glasgow summer, she meets two similarly rootless souls: posh Cass and fastidious James, and together they form a band.

Celebrating the 50th anniversary of the Forth Road Bridge, charting the memories of those who built it and those who operated the Forth ferries that ran until the bridge opened.

When a struggling publisher discovers his only successful author is blocked, he knows he has to unblock her or he's finished. With her newfound success, she's become too happy and she can't write when she's happy. The only trouble is, the worse he makes her feel, the more he realizes he's in love with her.

Jackie is a CCTV operator. One day, a man shows his face on her monitor, a man she hoped never to see again. Now she has no choice and is compelled to confront him.

It's Laura's first job and she is anxious to do well, but her instinctive empathy with the elderly people in her care puts her in conflict with her colleagues.
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