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A man wearing shorts leaves his house to go jogging with his dog. All around him, Rome struggles awake at dawn. A lengthy marathon from St. Peter's to the Appian Way, a single shot crammed with centuries of history, freak encounters, and a wacky, vivid sincerity.

Superintendent Chessari is sent to run a small police station on the outskirts of Rome - a temporary posting in a difficult area, with not much backing and very few staff. His deputy, Lorenzo Corsi, is a youngster just out of the Academy, full of enthusiasm and high principles which clash with the corrupt reality of the streets and the attitude of his colleagues. The small police station seems like an outlying frontier post, a sort of backwater where recruits and hot-heads are assigned to rot. Chessari wants a quiet life, and all he does is set up a few routine operations; following suspects and tapping phones. He tries to avoid making waves that might upset his plans for career advancement. His men, however, are a bunch of loose canons, who are not intimidated by the rules or regulations imposed upon them and at times risk crossing the line of legality.

Axel Heyst is an American recluse with a dubious past living in the Dutch East Indies port of Surabaya circa 1913. Staying in a German hotel there, Heyst becomes entranced with a member of the hotel's all-female orchestra.
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