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In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

Ablou is a young man prisoner of a dream and a park. He meets strange characters who try to lock him up a little more in this long sleep.

Two men meet in a park: Haldern has on a black balaclava, while Ablou is wearing white underpants. The film is based on choreography by Daniel Larrieu, who was invited to "play with the story board" of Alfred Jarry's book "Haldernablou", with illustrations by Tom de Pékin.

A wealthy man falls in love with a transvestite stripper and gives her the wherewithal to fulfill her dreams; she invents stories with her transvestite friends; the story with the rich guy ends badly and she goes back to work on the streets (with no regrets).

The ex-wife of a famous sculptor convinces her lover to remove one of his sculptures from an exhibition and replace it with a live model.
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