
Emma Černá (23 March 1937 – 2 July 2018) was a Czech stage, film and television actress. She is an actress, known for Adelheid (1970), Loners (2000) and Kolya (1996). Upon her graduation from the Academy of Performing Arts, Černá worked at the Theatre on the Balustrade and the Palmovka Theatre. She was also a guest at the Comedy Theatre in Prague and the Prague National Theatre. She has made appe...
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The film tells the story of the relationship between a mentally disabled uncle and his nephew, whom fate brings together at a certain moment, gradually forming a bond between them that is a demonstration of the strength and "power" of friendship. This is then put to the test by those who, for various reasons, try to separate them. Among other things, the film is a confrontation between the two main, innocent protagonists and those who lost their innocence long ago and are guided primarily by what can benefit them, often at any cost.

Early 18th century. Cartographer Jonathan Green undertakes a scientific voyage from Europe to the East. Having passed through Transylvania and crossed the Carpathian Mountains, he finds himself in a small village lost in impassible woods. Nothing but chance and heavy fog could bring him to this cursed place. People who live here do not resemble any other people which the traveler saw before that. The villagers, having dug a deep moat to fend themselves from the rest of the world, share a naive belief that they could save themselves from evil, failing to understand that evil has made its nest in their souls and is waiting for an opportunity to gush out upon the world.

A WW I veteran still haunted by his time in the trenches settles in a small town to work for the railroad company. His pretty wife attracts the attention of the lonely young gravedigger.

Hana is a psychologist and a thoroughly independent woman. Her unemployed husband, jealous of his wife, finds a younger girlfriend, but their teenage son Honzik is frustrated; everyone ignores him. Hana's patient Eva, an attractive middle-aged woman, is having problems with her 25-year-old son; she is in love with her son's friend and her son is offended by her behavior. To complete the circle, he falls in love with Hana and Honzik is utterly disgusted by their affair. Another of Hana's patients is Dub, a millionaire who can have pretty much anything, or anyone, he wants. He wants Hana. But he can't have her.

On the night it happened, Aleš Berka was celebrating his 50th birthday. A successful, mature man at the peak of his powers. Congratulations, gifts, a happy mistress, a healthy son. The fact that one of the guests had an accident at an intersection on his way home from the party was just a minor blemish on an otherwise perfect evening. The local underworld boss, Radek Máša, immediately called Aleš and asked him to cover up the accident, as always. The district police chief, Aleš Berka, promised to do so, as always. But in the morning, he learned that Marta, the girl who was driving the car, was lying in agony in the hospital and that she was the love of his son Ríša. Ríša believes unconditionally that his father, the district police chief, will do everything in his power to find and punish the culprit of the traffic accident who fled the scene...

Sentiment is Tomáš Hejtmánek's intimate documentary portrait of the great Czech director František Vláčil. The film was inspired by encounters with the filmmaker and told through taped interviews, reconstructions of meetings with Vláčil, visits to actual film locations (of Marketa Lazarova, The Valley of the Bees and Adelheid) and Vláčil-inspired film sequences. The result is one of the most unique and personal portraits of any artist – a collage of voices, sounds and images that evoke and celebrate Vláčil’s life and work.

Robert works for a travel agency and helps to arrange scenes from the everyday lives of "ordinary" Czech families as an attraction for Japanese tourists. He also works as a kind of matchmaker and occasionally helps to put together some of his friends. He helps to separate his friend Hanka from Peter, an announcer for an independent radio station who tries to capture "real" life by recording the moments from "reality" and playing them over the air. Vesna, came to Prague from Macedonia because it is according to her the best place for UFOs to land, but her real reason for coming is somewhat different... Hanka is followed by the crazy Ondrej, until then a respected brain surgeon, and married with two kids. Through him she meets Jacob, who uses copious amounts of weed in order to be constructive in this gloomy world. On the other hand, this destroys his short-term memory - and he forgets that he already has a girlfriend...

The story of fifteen-year-old Renata, who lives in a small apartment with her divorced parents, takes place during the socialist era of the 1980s. Not only does she have her own problems appropriate for her age, but she is also disgusted by her parents' constant arguments, who willingly involve her in all their intimate matters. She takes revenge on them by getting into more and more trouble. She gets drunk, listens to Radio Free Europe, and rebels somewhat clumsily against the political situation. But when things get really bad, she allows herself to be rescued by her father, a member of the secret police, with a mixture of admiration and contempt. Weaned on this confused world of adults, she clumsily stands on her own two feet. Only when she falls in love with a boy she doesn't want at a dance and loses her virginity to a boy she doesn't really know, only after various emotional escapades, does she find a certain indulgence for her eternally quarreling parents...

Dr. Lauren is staying in Prague for a conference and falls in love with Czech writer Jiri Kolmar.

The new television adaptation of Jan Otčenášek's famous novella of the same name tells the story of the love between a teenage boy and a Jewish girl in the midst of war during the Heydrich terror. Ester seeks refuge, which Vojta provides her with, knowing the risk to his life. From this moment on, the situation of the protagonists of the story becomes a kind of existential island where fundamental human values—love, death, loyalty, and betrayal—are tested. This experience marks the main character of the story for life. This intimate drama, directed by Karel Smyczek with remarkable artistic means, is effective in its urgency and has timeless validity. The screenplay is the work of experienced author Petr Zikmund.
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