Karen Dzhanibekyan

The fourteen-year-old stubborn and arrogant Haik has a dream: to hunt a pheasant. For a long time he tried to a frazzle out his father's hunting gun for that purpose. Eventually he gets the gun. Already in the forest Haik understands it's not a pheasant hunt season; besides he doesn't know how to use the gun. As it gets darker, the colorful autumn wood turns into a cold and a frightening place, that the desperate boy strives to escape... Finally he manages to get a pair of superb pheasants. And perhaps something else, that is much more important.

A STORY OF A FAMILY, THE HISTORY OF A NATION ”A little piece of land? A whole country? A little group of people or a whole nation? What are they waiting for? Is their queue endless?” Do not expect to get all the answers. A tale of a man and a woman suffering the circumstances of a total energy crisis. Their recollections, short narratives, imagination act as aids in understanding of the story, and in understanding that core human values are shared throughout the world.

Few not connected novels about the love. Few couples falling in love in different places of post USSR: Moscow, Georgia, Armenia.

A beautiful girl named Sasha from Russia comes to Armenia. Born between Russian father and Armenian mother, Sasha is searching for the grave of her father who died in the Karabakh War. Karabakh, which was the territory of the Azerbaijani Republic during the Soviet Union’s collapse, has many Armenian residents. At the time, Armenians demanded their independence from Azerbaijani Republic and the subsequent conflict caused heavy casualties. Many Russian soldiers also lost their lives in the war. The conflict is still going on. This film is a postscript to a historical event occurred in the early 1990s and about a still ongoing conflict. In the scene that camera quietly crosses the border from Armenia, the director presents an image of each side of the people communicating with one another despite their own wounds instead of one pointing a gun at the other side.

Relegated to the background in the brutal times of a transitional period, the Maestro, who is a devotee of art, an advocate of moral standards, a cellist of a symphonic orchestra, a professor of a conservatory, unable to withstand the prevailing wildness, has inevitable clashes with the environment and experiences a heavy personal drama. Archival footage of protests preceding and following the 2008 Armenian presidential elections are used in the film.

An animation film based on the Armenian heroic epic poem Daredevils of Sassoun.

At 2 a.m., Garegin Sisakian comes to Michael's house and informs him that he is engaged to a girl named Sarah, whose father was a friend of his father's. Michael learns that he will be the godbrother of the newlyweds. On Saturday evening, Garegin takes Michael to Sarah's house to meet his fiance. Sarah quarreled with her mother, and Garegin's inappropriate questions offend Sarah, and she screams and leaves. After Sarah leaves, Garegin starts talking to Bagiryan, Sarah's father. About a month passes, but Michael does not meet with Garegin. But one evening Garegin appears and informs Michael, That he was going to marry Sarah. After his marriage, Garegin leaves his post and leaves the city with his wife.

In 301 A.D. Gregory the Illuminator healed the one-time Pagan King Tiridates the Great and christened the Armenian people, thus making Armenia the first Christian nation in the world. This is the story about a woman who changed the faith of her nation forever.

A successful businessman with a terminal illness returns to Armenia and buys a mental institution.

Armenia in the Middle Ages ... the desert ... the bell-tower of a half-destroyed church ... Martiros languishes in the desert. His heart strikes out beyond the narrow monastic circle.