Tromp Terre'blanche

No plot available for this movie.

Hans van Rensburg and Gert Kruger declare ware against Trans-Afrika Mynontwikkelings because they want to change the bushveld into a minedump. The manager of the mine Hannetjie Kruger (Gert's ex wife) tries everything to subtly change oom Hans and Gert's mind...

"Dam Bouers" is Coming to Gluksdal to Build a Dam, Everyone is for it Except Pinkie and Her Father Because the Dam is going to Flood their Farm

The son of a banker decides to steal money from the bank to double it through gambling and then returning it. Unfortunately for him, he is being watched as he succeeds, and interesting events and twists follow.

Historical Epic about The Voortrekkers

When eight year-old Manie Griesel's pet sheep dies on his father's drought ridden farm in the Karoo he decides to seek help from the highest authority - the prime minister of South Africa himself.

Cutter Murdock inherits an estate in Africa on which "Satan's Harvest" (heroin and marijuana) is grown. The thugs growing the drugs want him out of the way, so things get messy.

In the Transvaal, in 1900, the British army condemns to death an American mining engineer for aiding and abetting the Boer enemy. The engineer escapes from custody and takes refuge at an isolated Boer farm. When three deserters from the British army arrive on the scene, the engineer takes steps to protect himself and the Boer family.

During the 1960s the Afrikaans radio service of the South African Broadcasting Corporation presented a series on the adventures of a super secret agent, Staal Burger, a character created by the well-known SABC broadcaster Fanus Rautenbach. "STAAL BURGER" had an enormous following among listeners - the rich playboy with an eye for a pretty girl, his fast cars and his straight-punching way with the bad guys. Daan Retief, who played the role of Staal Burger in the radio series, reprises his role for the movie. He is assisted by Staal's sidekicks, Willem (Sarel Breed) and Dada (Miems de Bruyn).

This multi-faceted drama, which depicts a group of intellectual Afrikaners struggling with pertinent moral, ethical and racial issues in apartheid South Africa, is widely acknowledged as one of Jans Rautenbach’s finest films.