Emmanuel Kojo Dadson

Brings together two cultural economies that normally have little overlap – the Western art world, and the West African popular film industry.

When junior (John Apea) accidentally comes across a suitcase full of cocaine, he sells it and keeps the money. the owners of the drugs catch up with him, resulting in a high speed chase around London and Africa

Love collides with social class and colonialism when Aba Appiah, born to privilege, falls in love with Joe Quansah, son of a fisherman. Her father, retired civil servant Kofi Appiah, has other plans for her, and seeks to block their marriage. The resulting conflict has complex and unexpected consequences.