Branko Supek

A woman revisits long-suppressed nightmares as she is being chased through an abandoned warehouse by a strange man.

It’s the winter of 1942. A freight train on the section of the Slavonian railway Vinkovci-Nova Gradiska is under a special Gestapo escort. Fleeing misfortune and evil brought by war, the last wagon is the place of encounter of politicians, war smugglers, deserters and tamburitza players.

During the WWII, the communist resistance, with the help of a few local anti-fascists, makes sabotage and obstructs the actions of the Yugoslav quislings.

The events surrounding the liberation of Skopje.

In 1928 young Communist activist was arrested and put on trial for anti-state activity. Years later he became known as Tito, Communist president of Yugoslavia, and this TV-movie was made for the 50th anniversary of those events.

A projection of the situation in monarchist Yugoslavia after the infamous Proclamation and the Law on the Protection of the State, when repression and police violence stifled any progressive idea. Inspired by some literary works of Miroslav Krleza.

This drama premiered in Zagreb in 1935. The plot shows a young man from a well-to-do bourgeois family facing the anger of his parents over his absences from high school, behind which stands his forbidden love with a girl of humble working-class background.

Written in 1932 between the two world wars, this TV drama brings a critique of militarism and speaks of the meaninglessness of warfare and the tragedy of human lives and the tragedy of human lives in such an environment.

Tena, a young Slavonian woman becomes aware of her own beauty which makes her fall into a state of moral decay. Her newly discovered promiscuity eventually makes her fellow villagers turn on her.

Božidarka Frajt (playing herself) is an actress who is unsuccessfully looking for a job in Zagreb. The film follows her everyday life: she spends time with her friends and colleagues, shoots a television commercial, goes to a party, remembers her difficult childhood as a war orphan, and contemplates her professional and personal failures. Finally, she visits theatre manager Vjeran Zuppa in his office and asks for a job.