Monette Dinay

In a small French village, everything would be quiet if the local wildlife cop was not being ridiculed by a smart poacher.

Two unlikely companions must smuggle four suitcases filled with contraband pork across Nazi-occupied Paris.

A wealthy young American woman is suddenly cut off by her father while living in Paris. A philosopher, she tries to make a living as a guide in the capital. The Marquis de Cernay, who has his eye on Nancy's portfolio, engages Maurice, a hardworking writer, to follow the young woman. She learns from both of them that they are only interested in her fortune. However, when she learns of the deception, she returns to her usual social life. She will return to him when the Marquis de Cernay has betrayed himself once and for all.

In the 1950s, in a small provincial town, a young inexperienced judge clashes with an influential notable during an investigation into a suspicious death. His perseverance to get to the truth will cause a huge scandal.

A tough customs man, out to get a youth smuggling tobacco into France across the Belgium border, falls for the jaded ex bar hostess the smuggler lives with.Meanwhile the young man is intrigued by another, more innocent girl.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

In France in 1946, the difficult return to civilian life of five deportees and prisoners of war after having lived through the hell of the Second World War.

A woman is accused of the murder of her husband, who was jealous and brutal. Her lawyer manages to get her acquitted and they get married in the end.

Odette Joyeux plays an eccentric young aristocrat called "Chiffon", who is struggling to comply with the social conventions of the community. A widow, her mother (Suzanne Dantes) would like to remarry a rich noble. Without realizing it, Chiffon is in love with her uncle, a ruined pioneer of aviation ...

Bienaimé, a modest postman, in love with Janine, the village postmistress, does not know that he is the illegitimate son of the old Baron de Mondésir. The Baron dies and in happy amazement, Bienaimé finds he is the sole heir to the deceased's estate. But he should be careful, for two crooks, Waldemar and Erika, are after his newly-acquired wealth.