Adriana Matoshi

In a village where everyone left, Redjo stays behind, he becomes the heart of Sllupkovo. A heartwarming comedy celebrating community resilience. Everybody Calls Redjo, the village hero.

Albania, 1996. Mira lives in Elbasan with her two sons while her husband works illegally in Greece. Struggling to make ends meet, she invests in a pyramid scheme, hoping for a better future. When close friends migrate, mira grows desperate and sells their apartment to reinvest, moving in with her parents. But the scheme collapses, the country falls into chaos, and mira loses everything. Her teenage son toni becomes violent, eventually arming himself during a riot. Fearing for their safety, Mira decides to flee Albania with her sons. After a dangerous journey, they arrive in Thessaloniki—lost, without Arben, but finally together. At the luna park, they find a fleeting moment of peace.

At the turn of the century, a 9-year-old boy and his mother travel to the capital city to undergo a medical procedure.

The driver of two human traffickers ends up unknowingly helping his clients drive his kidnapped daughter outside the country.

Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.

The calm and ordinary life of a forgotten village is disturbed with the arrival of three prostitutes in the village’s bar, owned by two pimp brothers. The men, despite the efforts of their wives to stop them, spend all their time in the village’s bar, spending their last money on alcohol and sex. Chaos overcomes the village school; its devotees abandon the mosque. Only two youngsters benefit from all this mayhem, by realizing their love affair, forbidden by their parents. At the end, the women start upraising. Consequently, the bar is burnt down and the village looks that it will return to normality.

A young boy living in a house of women must race to save a woman who is teaching him Serbian, so that he can continue the search for his missing father.

Haunted by her long-suppressed past and pressured by family to seek treatment from mystical healers for her infertility, a Kosovar woman struggles to reconcile the expectations of motherhood with a legacy of wartime brutality.

In the early '90s, the Yugoslavian Government cancelled the autonomy of Kosovo, dissolved its Parliament and closed down the National Television. All institutional life was reorganized by the new authorities, while the majority of the citizens responded with peaceful demonstrations. During this terrible time, Fadili, who works as an archivist, has to choose between two options, knowing that both of them are wrong. He therefore involuntarily and unwillingly "swallows" the shame, endures the pressure bearing down from all sides and puts up with the bad reputation for only one reason: to provide for his family.

Little Genti wants a puppy. He expresses his wish at the family gathering, after his Roma coeval Xeni shows at the door, with his stray dog friend Aaj. This brings up a fired up discussion among the grown ups. After a quick disapproval, discussion changes its path into a clash of generations, conflict between traditional beliefs and new contemporary way of life. Ignored by grownups and despite his mother's disapproval, Genti joins Xeni and Aja on the street, continuing to find his new puppy-friend.