Dušan Vujisić

Story about people who have neither luck in finding new instruments to play after war, nor new romance. Instruments experience war just like people do. Originally shot in 1971, the film was not released until 1994.

A doctor from provincial town in Tsardom of Russia meets his former student in Ward 6, where the story takes place. Impressed by his rebellious spirit and clever remarks, he tends to spend more time with him while also indulging in meditation, only to be ridiculed by his fellow colleagues. Based on a Chekhov's work of the same title.

A study of the mental breakdown of a doctor in a remote rural village. He believes himself intellectually superior to everyone except for a political prisoner in a mental ward. This is a metaphor on life under repressive governments, conformity versus individual expression.

The true story of a rather unusual gymnasium class on the end of the 19th century and their professor. Full of intellectuals and young scientists, writers and artists, this class was highly with potential and many of them became famous in Serbian history.

A young woman leaves her older husband, the owner of a village mill, for a truck driver whom she met while he was in their village by business. While trying to find him, she experiences the life in suburbia, and gets back to her husband disappointed, disgraced and humiliated.

An absurd depiction of the communist revolution in Yugoslavia after World War II, the film primarily follows a group of young partisans who are placed in the home of a pre-war bourgeois family. The family then tries to adapt to the new ideology and values, often leading to various absurd situations.

Three poor musicians become rich and famous, due to an appearance on a TV show. Unexpected success and money tears old friends apart. The bass player, Burduš, lonely and lost, decides to go and find new friends.

In Vojvodina during the war, a partisan commander Zarki fell into the hands of the local Germans. They bound him in chains and take him from one village to another, torturing him in public so he could tell the names from his movement. Bewildered by his resisting power, the Germans tend to break him down and destroy the pride which is his answer to their torture. Frenzied of powerlessness, they ultimately choose the most horrifying death - they buried him alive in the sand that will cover the last trait of him, but he died victorious: He died for his thing.

A Parisian painter meets his old flame fifteen years later.

Political prisoners imprisoned in Yugoslavia will try to escape from prison by digging a channel under the ground and join the partisans.