
Haruko Sugimura (杉村 春子 Sugimura Haruko, January 6, 1909 – April 4, 1997) was a Japanese stage and film actress, best known for her appearances in the movies of Yasujiro Ozu and Mikio Naruse from the late 1940s to the early 1960s. In the West, her most famous role was that of Shige, the elderly couple's hairdresser daughter in Ozu's Tokyo Story (1953). After the war, she was highly praised by such...
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A retired actress whose husband has recently died visits her summer home. There she has encounters with old friends and acquaintances who bring various stories and news of death and the past

In Japanese theater, women's roles are traditionally played by men. The man playing the woman's role, the Onnagata, does not imitate the woman, as in the West, but tries to capture her significance. He need not stick close to his model, but draws far more from his own identity - a shift of value takes place, which is nonetheless not a step beyond. THE WRITTEN FACE is an attempt to offer an insight into the Japanese Kabuki star Tamasaburo Bando, one of the last defenders of this ancient and disappearing performing tradition.

A story of Japanese writer Kafu Nagai (1879-1959), a man about sixty with a huge reputation of seducer who falls madly in love for a young geisha named Oyuki. Meticulous and smartly dressed, Nagai patiently wrote in his diary his thoughts during many years. A melancholy reflection on the passage of time and a brilliant interpretive exercise.

A documentary about the lives of actors in the Sakura-tai theatrical troupe, which had arrived in the island of Hiroshima to begin preparations for the staging of a play just before the atomic bombing.

An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..

An industrialist is diagnosed with terminal cancer. He is on a trip to Europe at the time, and a glimpse of a Japanese woman in that setting causes him to fantasize about her as the personification of his impending death. As his dialogue with his imagined mortality continues, he actually meets the living woman who is the template for his fantasy, and together they tour rural churches. Gradually he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges which profoundly test the lessons he has learned.

About small-time gangster Asakichi's chaotic life in the 1930s. His gambling addiction means that he must not continue working in the family business. Instead he supports himself by arranging cockfights. He becomes ex-geisha Okinu's patron and lover, and falls directly into disfavor with the yakuza.

Follows a young med student's relationships with two women: a dangerous affair with a childhood friend and his mother's struggle to rebuild their estranged relationship.

A film commemorating the 25th anniversary of Hibari Misora's performing career. Written by Matsutaro Kawaguchi for Hibari Misora to celebrate her 25th anniversary. The film tells the story of a fisherman's daughter from Izumo who rises from poverty to Kyoto, throws herself into the harsh world of dance, abandons her promised future and love, and finds the path to womanhood by living a life devoted to her art, which is rooted in the masses. Hibari Misora plays the role of a 16-year-old girl to a mature 26-year-old woman in this film, which also contains many autobiographical elements of the singer, who made her debut at the age of 8 and has continued to sing about the joys and sorrows of the common people, thereby touching the hearts of the Japanese people.

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