María Alché (born 23 April 1983; Buenos Aires) is an Argentian actress, director, scriptwriter, who starred in "The Holy Girl" by Lucrecia Martel (2004). Her first feature film "A Family Submerged" premiered in Filmmakers of the Present at Locarno Festival 2018 and won the Horizons Award at San Sebastián International Film Festival 2018, Best Screenplay at Lima Latin American Film Festival 2019, ...
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Maria travels to Puerto Williams to star in a movie. But the film crew won't be able to arrive due to a strong storm. Alone, she'll seek help for severe back pain, which will lead her to discover life in the southernmost city in the world and a pending story in her life.
The ghosts of a 19th-century slaughterhouse haunt the Cinemateca Brasileira: where cows once died, films now end up. Montevideo's former Central Market houses the Cinemateca Uruguaya. A power plant now houses the Museo de Cine de Buenos Aires. This triptych portrays and connects three film archives through architecture and the buildings' interaction with urban life.
“What future are we in?” Asks one of the leading girls in the short film by María Alché, a memorable actress in the role of a holy girl in the film of the same name by Lucrecia Martel.
Michelsen, an older trucker who is lonely and sick, while traveling through Patagonia meets someone on the highway who reminds him of his daughter, whom he has not seen in years.
Students of different careers prepare to take final exams. Botany, anatomy, sociology, medieval philosophy, criminal law, morphology, theoretical physics and piano. Each one uses their own abilities to cope with the situation of oral exposure, the most common evaluative practice in the National Universities of Argentina. Throughout the waiting moments in the halls, between the drama and the absurdity of each exam, the subjects begin to find unexpected relationships.
Two emotionally charged love triangles collide as Elena accompanies her photographer husband on a work trip, falling for the sublime beauty of Patagonia and the man who guides them through it. Meanwhile, Albert, a director returning home to Los Angeles, adjusts to being a single father in the wake of his failing marriage.
A secular man, married outside his faith but living in an ultra-Orthodox area of London, questions his marriage when he meets his best friend's captivating new girlfriend.
Agustín escaped to the moor to finish his thesis, he spends his days writing, feeding himself and giving small walks through a place covered by scrubland, steep cliffs and abyss that remain hidden behind an almost permanent fog. Everything changes when Lucía and her boyfriend Santiago arrive and set up their tent next to Augustín’s. What began as a few quiet days in the countryside gradually become a silent nightmare.
Florencia, a rising actress, ends up falling in love with her co-star, a famous film star. When they decide to marry, Florencia becomes aware that in reality she fell in love with the character and that her husband is indeed a real idiot.
A hungover day and the twists and turns of a relationship are condensed in a conversation between two lovers, in the mythical Bauhaus building in Monte Veritá. In the background, the Swiss Alps.
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