Ernö Szabó

The story recalling the spirit of Gilgamesh, the Sumerian king quarrelling with his approaching death, takes place in a cancer hospital in Budapest. Dávid, the young ethnography scientist resigned to his lot and is indifferent to his approaching death. His specialist reckons, however, that such a searching and stubborn mind with thorough knowledge of the nature of his own illness, will be able to fight death.

Blondie and Árpi love each other very much. She is a hairdresser, he is a confectioner. Blondie's parents are divorced and she lives with her grandmother. Árpi loves her parents, but has long been angry with her brother-in-law, whom she knows to be keeping a mistress. Pista turns the parents against Árpi, and after a quarrel, the boy decides to leave home. Then he has an even better idea: marry Blondie. She is just as much of a hebrensch, so she insists on marriage. It's summer, and the Árpi's move to their summer cottage on the top of the hill. But they are unprepared for independence, and so they have a series of conflicts. They quarrel badly, and Blondie moves back home. To Arpi's surprise, her father persuades her to make up with him. Blondie sulks at first, but her lover overcomes her resentment. They try again, together.

The film is a ballad about the dwellers of a block-of-flats in Angyalföld.

Adaptation of Mór Jókai's classic 19th century novel on Mihály Tímár, the captain of a commercial Danube ship in the 1830s, who finds unexpected fortune by meeting a Turkish aristocrat fleeing from his home country with his daughter Tímea. On their journey, they find an unknown island on the Danube, called the Senki szigete (the Island of No-one), a sort of earthly paradise, with only an old woman and her young daughter Noémi living on it.

The grey hero of grey workdays, the divorced cashier of a cinema who is always willing to sacrifice herself for others, Etelka, is awarded a two-week-holiday at Lake Balaton. Following the advice of her female friend, she tries to live life at full speed.

Daddy Kárász, the stakhanovist worker, complains in a television interview about the fact that his family, consisting of many members, cannot get a home on their own. Kéri, the chairman of the local authority, promises to help him on the condition that if he does not, they may move in to his villa at elegant Pasarét. Nothing happens, therefore the Kárász family takes Kéri by his word. From this time on, tumultuous scenes and frequent quarrels take place in the villa between the two families.

A sequel to "Yesterday". About the defeat of the Hungarian uprising of 1956. The action takes place in the barracks of the People's Army, in the War Ministry and in one of the largest factories in Budapest.

The film consists of 3 novellas. 1. On the eve of the Soviet advance into Hungary, workers at a military plant risk everything to strike in defiance, displaying unwavering courage and solidarity. 2. During a fierce battle, three Soviet soldiers shelter in a peasant’s hut where a dying mother begs them to baptize her newborn - an act of compassion they fulfill, leaving behind three stars from their caps as a lasting gift. 3. After liberating a Hungarian town, Soviet troops rescue a hidden throng of civilians, huddled in underground tunnels, from imminent Nazi brutality, saving countless lives in the process.

Based on the novel of the same name by Lajos Meszterházy about the escape from prison of two communists sentenced to death. The movie is set in 1921, two years after the defeat of the Hungarian Soviet Republic.

The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.