Phillip Noyce

As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.

John Farrow: Hollywood’s Man in the Shadows is the first documentary ever made about one of Hollywood’s most prolific yet forgotten filmmakers, John Villiers Farrow (1904 -1963). Part mystery, part biography, part film noir – the documentary follows the stranger than fiction story of this Australian born, Oscar-winning filmmaker. As one of Hollywood’s most enigmatic f igures, Farrow was the director of some 50 films; a sailor, a poet, a war hero, best-selling author, a religious scholar, a family man and a philanderer – a man who lived many lives – yet who left behind no memoirs, no interviews and no archival footage – and who today is only a shadow in the pages of film history.

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

This documentary follows Phillip Noyce as he tries to find three aboriginal girls able to act in his film Rabbit Proof Fence. The film sees a cast of 100's whittled down to the eventual three girls and follows them through workshops and into the difficult shoot.

An hour-long documentary on the life and career of actor David Gulpilil.

Lincoln Rhyme was the department's top homicide detective and leading expert in criminal forensics until an injury left him paralyzed, depressed, and incapable of working. But when a gruesome murder in Manhattan leaves detectives baffled, they call on Rhyme to help solve the mystery. Amelia Donaghy, a rookie cop whose quick thinking preserved a gruesome murder scene, is enlisted by Rhyme to be his on-the-scene forensics expert. With Amelia reluctantly acting as Rhyme's able-bodied go-between, the pair piece together cryptic clues the killer leaves behind at the scene of the crime, hoping to catch the grisly serial killer.

Hamburg student Gabriele constantly dreams of her boyfriend in Australia. The reality is different, because while she sits in lecture halls during the day, she is a dancer in a peep show at night. The place is run by the mysterious Arnold, who not only has his eye on Gabriele, but is also carrying around a secret that he soon lets Gabriele in on: his strip joint is just a pretext for a much more lucrative business, in which a certain Mrs. Lohmann is pulling the strings. Her boss Arnold, with whom she is having an affair, is doing dirty business. He is threatened by a killer because he wants out.

A fragmented film, largely following street performer George Shevtsov at the 1970 Vietnam Moratorium, the Odyssey Pop Festival at Wallacia in 1971, and street theatre sneezing for lunchtime crowds. The film then takes a darker turn, contrasting audio from a court case with footage of police.