Rafael Cortés

An old building in Mexico City’s Historical Center is being restored and is filled with rubble and debris. The person responsible for improving the architectonic and general appearance of the building has forced its residents to be evacuated. The stories told by a group of construction workers help the protagonist understand the significance of his decision.

No plot available for this movie.

Ana starts falling in love with an ecologist engineer that comes with her father who is from Russia.

A conflict arises between the people of the town and the local priest when they have to decide how to represent certain biblical episode.

Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the '50s. As the second generation become adults in the '60s, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent.

Three moments in the life of Fray Bartolomé de Las Casas; his youth encounter with the natives; his resignation in maturity to lands and encomiendas to evangelize and defend justice and dignity against the cruelty of the Spanish and his reflections at the end of his life

Taking as a guiding theme of religion in Latin America, the film shows the pre-Columbian myths, the arrival of the white man, later syncretism and liberation theology. The main theme is the "popular religion". In Latin America this forms a kind of religious sacred territory where millions of Indians seeking refuge. This is repeated in Brazil, where African religions are another impenetrable territory, which also functions as a stronghold, a refuge.

When King Motecuzoma dies in 1468, a drought sets upon the Mexicas' land. The younger Motecuzoma sends a retinue to collect tributes from the peasants and make an offering to Coatlicue at Aztlán, the home of their ancestors. The peasant Ollin finds a discarded tribute and makes his own journey to Aztlán to appease his rulers.

Al Pereira, a wise-cracking superspy, investigates a series of assassinations being performed by ruthless killers with bronze skin and horn-rimmed glasses. The trail of these mindless automata leads him to the lair of a seductive villainess who has formulated a computer-powered plot to overthrow the governments of Europe. 'Cartes sur table' is at once an homage to classical Hollywood thrillers and a playful riff on the newly-popular James Bond films.

After killing his girl friend, Ana, Amador (a dark and strange man) joins his family (which he can't stand) in Torremolinos, where he gets involved in the assassination of a foreigner woman. It is also in Torremolinos, where Amador meets Laura, a woman who falls in love with him...