Virginia O'Brien

The California Atoms are in last place with no hope of moving up. But by switching the mule from team mascot to team member, (He can kick 100 yard field goals!) they start winning, and move up in the rankings, Hurrah! The competition isn't so happy.

In the U. S. Army intelligence office, bumbling lieutenant Peter Stirling receives a coded message from his friend, Francis, a talking mule. The note urges Pete to hurry to the Coronado, California naval base, where Francis is about to be sold as surplus. Pete rushes to the train station, but before he can board, nurse Betsy Donevan mistakes him for her shell-shocked brother, Navy boatswain Slicker Donevan. She tries to forcibly remove his uniform so he will not get into trouble for impersonating an Army officer. Finally she realizes that Pete is not Slicker but merely his mirror image.

Virginia O'Brien visits Martin Block as he hosts a radio show devoted to Les Brown and His Band of Renown. A few numbers are heard from the band as Block gives a brief history of how they started. O'Brien also recalls her first movie song.

In 1915, Kansas theatre usher Merton Gill is a rabid silent-movie fan. When he brings Mammoth Studios free publicity by imitating star Lawrence Rupert's heroics, they bring him to Hollywood to generate another headline; he thinks he'll get a movie contract. Disillusioned, he haunts the casting offices, where he meets and is consoled by Phyllis Montague, bit player and stunt-woman. When Merton finally gets his "break," though, it's not quite what he envisioned.

Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of his most famous: 'Showboat'.

On a train trip out west to become a mail-order bride, Susan Bradley meets a cheery crew of young women traveling out to open a "Harvey House" restaurant at a remote whistle-stop.

Chaos is brought to a family when daughter marries a brash young man met on a blind date.

Frank Morgan is hired to put together a movie using odds and ends from the MGM vaults. He does so by splicing together a string of completely unrelated short subjects and musical numbers, interspersed with a repeated loop of a scene from some melodrama. (Contains in their entirety the shorts, "Musical Masterpieces," "Our Old Car," and "Badminton," as well as clips from other projects)

The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.

A idealistic shipyard worker interests a beautiful Hollywood star in staging a musical tribute to the war industry, but they disagree on some important issues.