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For Les étoiles ne meurent jamais, director/archivist Max De Vaucorbeil has assembled precious film clips of such Gallic greats as Louis Jouvet, Raimu, Harry Baur, Louis Salou and Marguerite Moreno. Francois Perier's narration links the various vignettes together. In its own way, Les Etoiles ne Maurent Jamais can be seen as a precursor to those now-ubiquitous "tributes" on such cable services as American Movie Classics and Turner Classic Movies.

As playboys cannot pay their debts anymore,their creditors suggest one of them marry a millionaire's daughter.

The owner of the place of Chamonix covets the inn, run by the Michel's uncle, whose business goes bad. Michel decides to participate in a ski competition to help uncle.

A little Breton tries to save her boss's daughter an unhappy marriage.

Nine Bachelors is a 1939 French comedy film directed by Sacha Guitry and starring Guitry, Max Dearly and Elvire Popesco.[1] An opportunist dreams up a new scheme to make money when the French government passes a law forbidding foreigners from living in France. It's French title is Ils étaient neuf célibataires.

In 1914, students living in a boarding house are disturbed by a young woman. On the eve of being called up, one of them declares his love for her. She abandons herself to someone who may not come back.

Discovering his wife's relationship with a middle-class snob, a husband tries his best to break this relationship by the seducer himself and ends up leaving with his wife for another wedding night in Venice.

A young unemployed girl pretends to be a boy and gets a job as a car washer.

Poorly educated by her father, a wacky researcher, Claudine is a teenager full of life who loves her small village school run by Miss Sergeant. A new teacher, Aimée Lanthenay, arrives at the school. Seemingly awkward, she is actually an arrivist who manages to get the departure of Miss Sergeant.

Mendoza, who had an affair with the star of the original production of La Vie parisienne in 1900, returns in 1935 with his son and granddaughter. His granddaughter is engaged to a young Frenchman, but Mendoza's strait-laced and puritanical son initially forbids the marriage. The core conflict involves Mendoza and his old Parisian friends conspiring to change the son's mind and convince him to embrace the titular "Parisian life".
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