Mariangélica Ayala

In a forgotten railway outpost, a humble stationmaster meets a glamorous society woman. Their brief wait for her train turns unexpectedly intimate—until her fiancé arrives, and the night erupts into a desperate struggle as he tries to drag her back by force.

Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a black man. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.

An Ancient Mayan curse is awakened in the ancient temples in Mexico, and people are killed in strange and gory ways by an invisible force.