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A retired Georgian film star, used to playing heroic leads, embarks on a cathartic odyssey after being offered a supporting role of an unpleasant elderly man.

The main character of the film is a journalist — Liza, a woman in her mid-forties, who, 25 years ago, worked as a war reporter during the Georgian-Abkhazian military conflict (1992-1993), which Russia provoked for the purpose of occupying Abkhazia.

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Priest Giorgi, a former Film Director, is sent to serve the small parish in the mountain village. To bring villagers closer to church he starts showing films there. After the screening of the first picture - "Some Like It Hot" - the audience imply that the local music teacher Lili looks exactly like Marilyn Monroe. After meeting Lili, Father Giorgi's balance between cleric and secular world starts to quiver - the woman is extremely sexy and the temptation is difficult to resist.

A 50-year-old housewife, Manana, struggles with her dilemma - she has to choose between her family life and her passion, writing, which she had repressed for years - she decides to follow her passion and plunges herself into writing, sacrificing to it mentally and physically.

Does air temperature really matter for fountains to be frozen or melt? One just need to stop and look around... It's a mosaic of several interrelated characters in search of their own happiness. It's about hopes and disapointments, betrayal and forgivness... and of course it's all about love...

The Soviet Union has collapsed. Civil and ethnic wars have broken out in Georgia, Azerbaijan, and Armenia, three republics in the Caucasus. The post-Soviet Caucasus have turned into one large conflict zone. Two radically different people with different ideals, problems, and goals are united by the conflict zone. Gogliko, a Tbilisi street boy, and Spartak, a Sukhumi sniper, are forced to solve problems of the street and problems of the state together. For one, the goal is to get back the money he lost gambling; for the other, it is to carry out a general's absurd military mission. In spite of it all, their paths cross and their lives are changed forever.

In the non-Georgian population of Georgia, over the centuries, its own mentality has been formed, i.e. non-Georgian population has always behaved ambiguously. It should be emphasized that not only those who consider it their home, but also those who are trying to appropriate the best "apartments of this hotel" lived and live in Georgia. At one time, Mikhail Javakhishvili, in his allegorical novel "Jacos Hiznebi" ("Khizans Jacko" - "Jacko Lodgers" - in Russian refuge, show itself loyal and humble servant. And you, in your naivety and carelessness, open the door for him, provide food and shelter. And he will gain strength, become carefree and arrogant,

hree stories happening in three different centuries, revolve around a mysterious painting entitled "Two Owls". In the 19th century thread, a man living in a big mansion is worried about his brother whose wife died a while ago. The brother however behaves as if she was still alive. A befriended psychiatrist is being called for help in order to examine the phenomenon in long conversations. He has to recognize however that the man's behavior doesn't harm anyone. He actually offers a painting to the doctor which his wife allegedly just finished: it's called "Two Owls". The painting reappears in the midst of World War II. A woman finds it in the apartment of her husband's lover. The general of the Red Army was just found dead there. He died in the arms of his concubine. Torn between ambiguous feelings of grief and anger the widow has to make a decision. She also needs to retain her composure as the military police is already waiting outside. The last story happens in present time.

A sea faring father, a man living on the edge of mental sanity, periodically sees his young son. During the visits, the father tells the boy stories, exotic as well as close to home, about Magonia. This is a mythical place where clouds represent impossible dreams and unfulfilled desires. But the characters in this imaginary place all curiously resemble people now living near the father.
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