Kyōko Asagiri

When Koichi Hamanaka returns after his mysterious disappearance years earlier, journalist Asakura who befriended Hamanaka's wife during his absence, tries to piece together the reasons for his departure.

A retired actress whose husband has recently died visits her summer home. There she has encounters with old friends and acquaintances who bring various stories and news of death and the past

Onna Hitori Daichi wo Yuku (A Lonely Woman in a Lonely Land, Kinuta Production, 1953) was the second feature film directed by Kamei Fumio, who is known as a master of documentary films, and followed his “Haha Nareba Onna Nareba(Become a Mother, Become a Woman)” (1952).

Ginko, a poor cobbler's daughter, becomes a geisha to support her family. She passes from one geisha house to the next, trying to find love and hope in the process. No matter how hard she tries, she just can't escape her sad fate.

A movie that depicts the tragic fate of many Yokaren flight-academy pilots.

The tale of a feudal swordsman who cynically takes no responsibility for anything, relegating it to others, and then taking the credit.

The stage director Shimamura, who is bringing western theatre to Japan, falls in love with the outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.

A lost film by Masahiro Makino

Waiting woman

Kotobuki-za is a story of the Naniwa-bushi singer Baichuken Tsurumaru.