Eijirō Kataoka

Third part of Nihon Kyokakuden series is set in Kanto in 1924. Ken Takakura playing a ship's mate befriending fish shop owners harassed by yakuza.

A good set-in-per-WW2 ninkyô type film with outstanding performances.

This is the story of a bad man who re-discovering humanity via woman and child while clashing with the yakuza and being hunted by a man called “Death” who has his own dark past. The prototype for the later two yakuza priest series with Shintaro Katsu and Tomisaburo Wakayama. Apparently so. And the swordsman motif seems to have been concurrent with Daiei's first ZATOICHI production.

Maeda Tsunanori, the lord of Kaga Domain, had two young princes - Katsumaru, the son of his legitimate wife, who died, and Yasunosuke, the son of his concubine. However, Katsumaru suddenly lost his mind and appealed to the shogunate to hand over the reins of the family Yasunosuke, but the request was rejected. Vassal Osawa Kuranojo suspects that this is the work of Ishikawa Torajiro, a swordsman from the Katsumaru group, and begins an investigation.

In this gritty tale of gamblers battling in the samurai era, Okawa Hashizo gives perhaps his greatest performance as a gambler returning to his home town. Swearing allegiance to his fiancée’s father, a decent boss, he had taken to the road after a gang fight until things cooled down. While honing his sword skills in his travels, everything in the town had changed and he descended into a virtual hell of violence. Opponents were being slaughtered by a former samurai ‘Bodyguard’ played by Tanba Tetsuro at the height of his amazing career. While these two master swordsmen are fated to meet, before that can even happen they must survive one of the longest, bloodiest swordfights in movie history!

A headstrong young man seeks to join the Shinsengumi, but while his determination impresses his superiors, questions begin to arise as to his true identity and intentions.

In the third installment of Yoshikawa's novel Musashi, things continue from the 2nd film at the end of battle, where Miyamoto continues on a mission of learning; with the introduction of his arch-rival Sasaki Kojiro; and lastly the large cast of characters rendezvouses for a fateful finale.

When the country is in peril, Lord Yagyu Tajima summons his son Yagyu Jubei to retrieve the mystical Yagyu Scroll in order to save all of Japan. This time, Jubei must stop the evil plot of Lord Hayato-no-sho, who secretly plans on overthrowing the Shogunate. This is the most exciting film in the long-running series about one of the greatest swordsmen in Japanese history. Konoe Jushiro gives one of his finest performances in this classic tale.

A sadistic Daimyo (feudal lord) rapes a woman and murders both her and her husband, but even when one of his own vassals commits suicide to bring attention to the crime, the matter is quickly hushed up. Not only will there be no punishment, but because the Daimyo is the Shogun's younger brother, he will soon be appointed to a high political position from which he could wreak even more havoc. Convinced that the fate of the Shogunate hangs in the balance, a plot is hatched to assassinate the Daimyo. The two most brilliant strategic minds of their generation find themselves pitted against each other; one is tasked to defend a man he despises, and has a small army at his disposal. The other is given a suicide mission, and has 12 brave men. They are the 13 Assassins.

A modern gang version of Chushingura, chronicling almost scene for scene the Brave 47 Ronin story, transposed from the Genroku Period to the Showa Era.