Al Hallett

Following their initial pairing in early 1927, Laurel and Hardy ended their first year on top. Their success moving into 1928 galvanized the efforts of everyone at Hal Roach Studios (including famed director Leo McCarey), who proudly upped their game in support of the winning comedy duo. Whether wreaking accidental havoc as a two-man band, doing battle against one another as millionaire and butler, or even becoming grave robbers for a mad scientist, Laurel and Hardy prove in their second year that they have what it takes to not only win over audiences in the twilight of the silent era, but generate enough momentum to make a successful transition to “talkies” in 1929.

A girl-shy professor runs into trouble at a ladies’ seminary.

It's the Fourth of July and the mother of Our Gang member Joe Cobb is doing a brisk business at her fireworks stand. Briefly left in charge of the stand, Joe does his best not to blow up himself or his friends, but a poorly-aimed skyrocket owned by Allen "Farina" Hoskins triggers a somewhat premature but undeniably spectacular display of pyrotechnics.

Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.

Charley and Edna are feeling very pleased with themselves and their new car. They decide to share their good fortune and offer to take six underprivileged children out for a fun day at the carnival. Unfortunately, the children come from Juvenile Hall, and each one is more trouble than the last.

The hero must solve the murder of his benefactor within six months in order to inherit a valuable ranch.

Two rich capitalists want to marry their children, but they don't like the idea at all. She tries to run away, and meets him at the station. They fall in love, unbeknownst to their real identities, and decide each on their own that they have to wreck their parents plan. Preserved by the Academy Film Archive.

A young man inherits a mansion in a Florida swamp from an uncle he never knew he had. When he, his assistant and the estate's executor arrive at the house, the audience catches sight of someone crawling in the window, though the house is supposed to be unoccupied. As the house staff begins to arrive they sense a strange presence in the house, and when a young woman no one knows runs into the house to escape a knife-wielding psycho, the occupants realize they may be in danger from both outside and inside the house.

An aspiring writer chases after a pair of crooks when her handbag is taken.

Jimmy Jump (Charley Chase) and his wife find a baby left at their door. They happily take the baby in but find themselves at a loss when they want to sleep but the baby cries all night.