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Convinced he can charm any woman, a tenacious flirt sets his sights on a headstrong bride-to-be engaged to the son of an ambitious politician.

A producer celebrated for the idealized families she depicts on screen must make some changes when she realizes her personal life is in total disarray.

How was it possible that a single man influenced contemporary world so significantly? This film is an attempt to capture the phenomenon of a common man’s metamorphosis into a charismatic leader — an attempt to see how a Gdansk shipyard electrician fighting for workers’ rights awakened a hidden desire for freedom in millions of people.

"No one said life was beautiful." - hears business shark Andrew one day, learning that his shrewd partner and unfaithful wife have jointly let him off with his socks. Persecuted by a malicious bailiff, the heartbroken man is already considering saying goodbye to this world, when suddenly a crazy idea comes to him that will change his life forever. He shifts from his director's stool to a boat worn down by the teeth of time. Carrying a colorful bunch of passengers, such as an ambitious call girl, an ingenious smuggler and a teenage fence of "legally seized cell phones", he learns about life from the most interesting side. He listens to the problems of his clients with an open heart. Soon, thanks to Andrew's accurate advice, many of his passengers will face adversity, and the fame of the philosophizing carrier will reach the national media...

It is a bitter story about a middle-aged man, who hates his life and other people, including himself. Adam Miauczynski, the character known from director Marek Koterski's previous films, is a 44 year-old teacher, who reads poetry during school lessons and later goes home swearing and calling his neighbours' names. The worst pain for him is the next 5 minutes of living. He doesn't accept himself and even everyday contacts with others cause his aggression. Though constantly dreaming of a romantic love, he is not bold enough to make his dreams come true. The desperate Miauczynski personalizes our own fears and obsessions, which have become so visible recently.
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