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During the German occupation of a small Polish town, Franciszek Kłos, a lowly local policeman, will stop at nothing to become a Volksdeutsche. Eager to prove his loyalty, he zealously carries out the occupiers' orders. What begins as administrative compliance soon escalates when he commits his first murder of a fellow Pole. Condemned to death by the Polish underground, Kłos outwardly shrugs off the sentence while quietly drowning his growing fear in alcohol. As his inhibitions crumble, he descends deeper into violence—participating in the roundup and execution of hidden Jews, and earning a reputation for brutality even among the SS.

The end of the 70s of the last century. A team of surveyors goes to a small provincial town. Magister ( Jan Nowicki ) and the experts accompanying him plan to build a new road in the vicinity. The geodesists' projects arouse the indignation of one of the local farmers, Biernacki ( Wiesław Gołas ). The envisaged route is to run through the land belonging to it. To save his patrimony, Biernacki is ready to pay a bribe. The dispute between the host and the surveyors is cruelly resolved in front of the party dignitaries participating in the nearby banquet. Jerzy Gruza's painting is a sharp satire of manners, criticizing social relations from the end of the Gierek era.

Tato is the story of a divorced father fighting for the right to raise his 7-year-old daughter. When his marriage falls apart, he decides to kidnap his daughter rather than let the court award custody to his mentally ill wife, whom he deems unfit to raise their child. But as he quickly finds out, it’s easier to be a real man than it is to be a real father.

The year is 1989, and the country's first free elections in a long time are approaching. A man in a cycling cap organizes a chain of clean hands, using it as a tool in his election campaign. In the queue outside the passport office, people chat, make plans, and ponder what's worth selling abroad. Writers observe the world around them. One of them is applying for a passport. In Dzierżyński Square, the monument to Feliks Edmundowicz is being dismantled. Two drunk men sleep on a bench, and behind them is a sign reading: "All is well." The two writers observe the ongoing transformation of the political system.

On their wedding day in occupied Poland, poet Tadeusz brings Sarah, the Jewish woman he rescued from a Gestapo officer, to the celebration, only for her captor Cieślik to crash the party and force her into an impossible choice: become his lover or betray her to the Nazis. Filip Zylber’s debut uses Tomasz Stańko’s music and expanded characterizations to breathe new poetic life into Borowski’s terse wartime tale.

Janusz starts working as an inspector in a department store. One day he notices on the monitor a woman who is stealing a bottle of perfume. He resolves to let her go. Intrigued by the woman, Janek finds out that she is Monika Małecka, a leader of an influential political party, who is going to run as a party candidate in the parliamentary elections. The two develop a difficult relationship in which lack of trust together with neglect lead inevitably to its end.

The story of catholic saint Maximilian Kolbe (1894-1941), who volunteered to die in place of a stranger in the Nazi concentration camp of Auschwitz.

The screening of a movie "Daybreak" at the "Liberty" Cinema is interrupted by an unusual event - actors come to life on the screen, start conversations among themselves, draw the audience into them. Crowds gather around the cinema, the relevant authorities and services wonder what to do in this complicated situation. Also arriving is the censor, a man reaching his fifties, a one-time literary critic and journalist. The line between fiction and reality begins to blur.

December, 1981. World-class champion Ewa Jaskólska is looking forward to a cruise around the world with her yacht. At her farewell party, several people are present that are connected to the new Solidarnośc movement. The guests are filmed by a TV journalist. The introduction of the martial law in Poland leads to problems for all people involved. Can Ewa go back to her home country after these dramatic changes in Poland?

In Stalinist Poland, cabaret singer Tonia decides to spend the evening drinking with a group of friends. The next morning, she awakes to find that, for reasons unknown to her, she has been jailed as a political prisoner. As prison officials interrogate, torture and humiliate her, she fights for survival and to maintain her innocence by refusing to sign a false confession. As her years of imprisonment pass, her relationship with her captors grows more complicated.
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