Stéphane Jacques

Elderly inmates are dying mysteriously one after another in their prison cells.

Montreal, 1991. Delphis, 11 years old, grows up in a disadvantaged neighborhood and an unstable family environment. One evening, he decides to take control of his life and becomes The Hurricane. Armed with a lightning bolt on his headband and his middle finger held high, he flees a world that has no place for him. With the police and the Youth Protection Services on his trail, he leaves a mother in distress and has significant encounters in the street. Conquering himself, his adventure is like a road trip, from Hochelag' to Berri, from one family to another. Under the impetus of a hasty adolescence, his freedom thumbs his nose at the indifference towards the marginalized. Social etiquettes burst forth in an assertive tone and sustained rhythm. Between punk music and Marjo, The Hurricane hits us in the face, without waiting to die!

Drowned in the chaos of a family reunion filled with testosterone and pig roast, Reynald will try to prove to his nephew, his family but mostly himself that he's still king.

When Emma turns twenty, she decides to join the army. Not only does she want to follow in her father’s footsteps, but she also yearns to rid herself of an oppressive sense of existential emptiness. Although the army’s harsh discipline helps her break free, she slowly discovers that she cannot suppress all her emotions in this male society.

Montreal, a multigenerational house loaded with books, paintings and knick-knacks, so many memories revived on the evening of one last Christmas Eve. Luc, a retired pediatrician and teacher in his eighties, lives with his son François, a pediatrician like his father, and François' wife Esther. Suffering and physically diminished, the old man has now decided to end his life. In a corrosive and sensitive verbal joust, he asks his son to end his days in privacy. The son then takes him on an existential and circus-like journey through the streets of Montreal where the father is supposed to go to his final destination, a hospital where he will be confronted with his ultimate wish: the choice between the finality of medical aid to die or a return to square one, the small pleasures of what remains of his life, alive.

Louis, Éric and Daniel are inseparable. They are young, reckless and live at 100 miles an hour. Quickly, children's games take the path of small, disorganized crime. Their friendship will be put to the test. A tender and offbeat look at the turbulent and intoxicating period of the transition to adulthood, with the city of Quebec and its 1970s and 1980s as a backdrop.

A bored stay-at-home mom gets into trouble after speeding away from her small-town life.

The sleepy town where Léo lives doesn’t offer her much chance of self-fulfilment. Extricating herself from her mother’s influence and her constricting environment isn’t easy for the frustrated young woman, yet happiness might be close at hand. A stylistically precise, pop-impressionistic film about a girl’s quest to find out who she really is, featuring the captivating Karelle Tremblay in the lead role.

Jacques is an actor who runs away to the countryside to escape his gambling debts. He meets Simon, a rough and wily farmer who manipulates him into a business relationship. After a difficult start, the men help each other grow marijuana. They happen to meet Francesca, a sharp young woman who soon embraces their venture. By the time they get to the winter harvest, the three have learned to live together, but outside forces threaten the delicate balance of their little business...

Province of Quebec, Canada, the Maple Spring, 2012. Driven by frustration and the desire to find a new life, Klas Batalo, Ordine Nuovo, Tumulto and Giutizia form a counter-cultural group, a radical cell guided by a deep hostility to the established order that they manifest through terribly ambiguous political expressions, Molotov cocktails and guerrilla tactics, seeking to sow mayhem in Montreal as a prelude to the overthrow of the government.