Christina Crawford

In this documentary on the life of Joan Crawford, we learn why she should be remembered as the great actress she was, and not only as "mommie dearest." caricature she has become. Friends, fellow actors, directors, and others reminisce about their association with her, and numerous film clips show off her talent from her start in silents to bad science fiction/horror movies at the end of her career.

Chronicles the life of William Haines, Hollywood's first openly gay movie star, who sacrificed his career to live openly with his lover.

Jason Gould satirizes coming out in Hollywood in Inside Out, starring Alexis Arquette and papa Elliot Gould. Lane Janger's Just One Time was a festival favorite recently expanded into a feature film that turns the tables on a groom-to-be and his fantasies of sex with two women. Bradley Rust Gray's Hitch follows two attractive young guys on a dizzying road trip that leads them toward sexual self-discovery. David Fournier's Majorettes in Space is a witty French spoof of post-modern sex, romance, relationships, the Pope and baton-twirling majorettes. And, Gregory Cooke's $30 is the bittersweet story of a closeted teen presented with a young prostitute on his 16th birthday.

A film that shows how "hard" it is to be son of celebrities.

Middle-aged suburban husband Richard abruptly tells his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the town with her friends and meets a younger man. As the couple and those around them confront a seemingly futile search for what they've lost -- love, excitement, passion -- this classic American independent film explores themes of aging and alienation.

Short 18 minute film about QM and her last Transatlantic voyage from New York to Southampton. Joan Crawford makes an appearance and also narrates the first part of the film.

A troubled young man discovers that he has a knack for writing when a counselor encourages him to pursue a literary career.

Actress Joan Crawford appears in this public service announcement asking the theatre audience to give generously to The Jimmy Fund, which supports cancer care and research for children.

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.