Keiko Kishi (born August 11, 1932 in Yokohama, Japan) is a Japanese actress, writer, and UNFPA Goodwill Ambassador. She made her acting debut in 1951, but is mostly known for playing the main role in Kimi no na wa (What Is Your Name?). Kishi married the French director Yves Ciampi in 1957, and commuted for a while between Paris and Japan to continue her acting career. In 1963 their only daughter, ...
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An atypical and little-known filmmaker, Yves Ciampi nevertheless left his mark on French cinema. Sébastien Le Pajolec and Pascal-Alex Vincent, university lecturers, along with Delphine Ciampi, musician and daughter of the filmmaker, paint a portrait of him interspersed with excerpts and previously unseen archive footage.
Born in 1932, Keiko Kishi has been one of the first Japanese actresses known worldwide. Her decision to move to France and to marry director Yves Ciampi in 1957 – after he filmed her in Typhoon Over Nagasaki starring Jean Marais and Danielle Darrieux – caused a huge scandal in Japan. Despite this transgression, Keiko Kishi continued acting in her home country with Kon Ichikawa, Yasujiro Ozu, Masaki Kobayashi… building unique bridges between Japanese and European cultures. Free and rebellious, she emancipated herself from the many obstacles she encountered in the film industry, and created her own production company in her early twenties. Let’s look back at the story of a pioneer, an inspiration for many generations.
10-year-old Sota lives with his grandfather and a dog named Chibi in a small snowy village. They live in such a poverty that Sota cannot even afford to go to school, but however hard the situation is, Sota never holds a bad feeling against anyone around and keeps his dream alive to become a painter. He has been friends with Sayo, a girl brought up in a wealthy family, ever since they were little despite the difference of their family position, which Sayo’s father has uneasy feelings against. In spite of the difficulties he faces, Sota manages to complete a piece of painting which he wishes to give Sayo. He and Chibi goes down a snowy night path to Sayo’s house to find that her father’s storage is on fire... What waits for Sota and Chibi gently reminds that genuine happiness always exists in your heart.
In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.
In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.
Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?
Okatsu is a widow raising five children - adults but still mama-dependent - in mid-eighteenth century Edo, Japan. Her frugality attracts unflattering comment even amid national tough times (the region is in famine) What Okatsu tells no one is that she saves so that a friend can start his own business once he's released from prison.
The patriarch of a bickering family announces his retirement, stirring competition about who will succeed him as a leading practitioner of Noh theater, his granddaughter or grandson.
No plot available for this movie.
Toyoichi Otomo suffers from psychological and spiritual troubles after a horrific industrial accident. He lives with his elderly mother and wife near Mt. Aso in rural Kyushu. He seeks solace in a small religious group run by Buddhist nun Chishu-bo who claims to be the 68th descendant of famed 11th century poet Izumi Shikibu. The members of her sect regard her as a living saint. Yet instead of balming his soul, she riles his libido by playing a sexual cat-and-mouse game with the fragile Toyoichi. When she does bed him, it leads to a miracle healing -- followed by a terrible calamity.
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