Trevor Laird

For as long as Jack can remember, he and Danny have been friends, and Danny has always gotten Jack into trouble. He's had a few brushes with the law and blows up half a high street before deciding to turn to acting. Everything is going well until Jack lands his first feature film role and Danny agrees to shadow 'the family'. Jack soon realizes he is way over his head with deadly and hilarious consequences.

In 1970s London amidst the punk rock revolution, a young grifter named Estella is determined to make a name for herself with her designs. She befriends a pair of young thieves who appreciate her appetite for mischief, and together they are able to build a life for themselves on the London streets. One day, Estella’s flair for fashion catches the eye of the Baroness von Hellman, a fashion legend who is devastatingly chic and terrifyingly haute. But their relationship sets in motion a course of events and revelations that will cause Estella to embrace her wicked side and become the raucous, fashionable and revenge-bent Cruella.

Life couldn’t be better for entrepreneur and British Mod, Danny. That is until he’s introduced to Mad Mike, an unhinged underworld mobster who is determined to coerce Danny into pulling off an illegal drugs run.

Embark on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury, England. The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.

Shakespeare’s tale of psychological turmoil and familial destruction is brought vividly to life in this Black Theatre Live production, in association with Watford Palace Theatre and Stratford Circus Arts Centre. Captured live at Tara Theatre in south London, this production marked the first time an all-black cast presented Shakespeare’s classic tragedy in the UK. The seminal performance is followed by a Q&A session with director Jeffery Kissoon and Jatinder Verma MBE, Artistic Director of Tara Arts.

A short film about the relationships between father and son.

Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.

Brought to the station after nicking some sweets, a waifish Eastern European girl refuses to give even her name. What starts out as a simple case of shoplifting turns into apparent murder, however, after Davies finds the girl's mother strangled. The trail leads to some surprising suspects from a video matchmaking service.

After her adoptive mother dies, Hortense, a successful black optometrist, seeks out her birth mother. She's shocked when her research leads her to Cynthia, a working class white woman.

With a drug-addled lifestyle and a prison sentence firmly behind him, Abel is determined to go straight and stay clean... as soon as he's seen to one final heist. In the house that he burgles he comes across Elizabeth - rich, desperate, hopelessly addicted to a heroin and unconscious. Saving her from the clutched of an overdose, Abel stays out of compassion which eventually evolves into attraction. But when Abel takes on Elizabeth he also takes on her family. His resolution to go straight has to go on the back burner while he struggles against a drugs conspiracy that stretched from the slums of the East End to the Houses of Parliament.