Raúl Ruiz

On Raúl Ruiz's missing Taiwanese film "La comédie des ombres" and the projection of Clark's "Double Ghost" at the Chin Pao Shan cemetery on 19 august 2018 (anniversary of Ruiz's death and Clark's birthday).

A documentary recorded during the filming of "The Wandering Soap Opera" by Raúl Ruiz. Made in 1990 and completed 27 years later, in 2017. The film brings closer the approach in Ruiz's directing style and his personal vision of Cinema.

Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.

In one of his very last projects, Raul Ruiz celebrates the films of his historical predecessor Jean Painlevé, a documentary innovator whose work always blended science with surrealism. Ruiz and friends further perfect the art of mystification. Why it is so difficult to count fish in an aquarium? Ruiz, his loyal actor Melvil Poupaud and his producer François Margolin come up with a wide range of hypotheses. With their bone-dry wit, they keep up the tradition of the French pataphysics: the science of imaginary solutions. (IFFR)

The house of the director has a door out to the sidewalk. This gate separates the inside from the outside. The interior contains the filmmaker's personal story and his world of objects, thoughts and imaginations. Outer space contains the city of Santiago de Chile. The stories of the world inside the house are interrupted when the doorbell rings unknown and thus come into the film.

A coin and a cup of coffee on a table top. Raúl Ruiz gets the most from this minimal set-up, both visually and through the laconic soundtrack.

In the fall of 2010, Bozon and co-conspirator Pascale Bodet commandeered the first floor of Paris’s famed Centre Pompidou for 10 days of screenings, lectures and performances that amounted to a counter-canonical history of French cinema. During the ensuing merriment (entitled Beaubourg, la dernière Major !) audience members were invited to observe the daily making of this film, directed by Bozon and written by Axelle Ropert, about an inexperienced young journalist (Laure Marsac) sent to the Pompidou to interview a maverick artistic impresario (Thomas Chabrol). The result is an unexpected love story that is also a record of this landmark exhibition, featuring cameos by Raul Ruiz, Paul Vecchiali, Luc Moullet and more !

An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".

"At that time (late 1992), I made a film for British television, Channel 4, called Las Soledades, the name of a long poem by Góngora. It was made in Chile, using many poetic elements of the country. Chile is seen through the eyes of a Chinese painter—a painter who uses the traditional 18th-century concepts of Shih-Tao. Once again, I am doing something that, apparently, is not meant to go hand in hand. The landscape of my country, southern Chile, where I was born, initially provokes in me a feeling of fear. The landscape is madness. In these crazy landscapes, you can find very reasonable people, which makes the landscape seem even crazier."

Shortly after murdering his professor, a young man encounters a sailor who offers him a position on his ship in exchange for 3 Danish crowns and his attention as he recounts his life story.