Ken Mitsuishi

After failing to land a job, Shimizu Misora stumbles into an internship at funeral company Bando Kaikan and trains under the strict but compassionate Urushibara Reiji. As she learns to care for the bereaved, her discouragement turns into admiration, and a new sense of purpose.

Two brothers start working as benshi narrators of silent films in a cinema in the early 20th century. This premise is the jumping-off point for an epic family saga that follows the protagonists and their descendants through wars and technological developments.

In February 2020, a luxury cruise ship carrying a cluster infection of the novel coronavirus docks in Yokohama. Disaster Medical Assistance Teams work tirelessly to save lives while battling anxiety and fear surrounding the unknown virus.

This story begins with a protagonist whose sense of time has halted due to the grief of losing his son, now abandoned by his wife, and his sudden cohabitation with his 17-year-old niece left behind by his sister. A man who has lost love, a woman who has renounced love, and a girl who knows nothing of love... As they confront their respective pains, their journey of discovering faint sprouts of hope in hearts as parched as summer sand is depicted—a poignant yet tender masterpiece where sorrow and warmth intertwine.

When a young student shows signs of trauma, his parents act swiftly against his middle school teacher. But all may not be as it seems, leading the scales of justice to tip in fascinating, heartbreaking ways.

Driven to the brink, Natsuki makes a desperate gamble: selling drugs to make her children's dreams come true. Living a double life—mother by day, dealer by dark—where will this dangerous path lead her—?

Two work colleagues: he suffers from panic attacks, she has extreme PMS. Their company distributes toy planetariums. What may not sound like Ozu Yasujirō is actually precisely that: people are attentive and do each other good, without even realising.

Nobumasa Tsuboi (Yo Oizumi) runs a small factory in a small town. He has a daughter Yoshimi Tsuboi (Riko Fukumoto) who suffers from a congenital heart disease. A doctor tells Nobumasa Tsuboi that his daughter will only live for about 10 more years. Nobumasa Tsuboi is devastated that his daughter won't live past the ago of 20. Nobumasa Tsuboi and his wife Yoko Tsuboi (Miho Kanno) cannot accept the diagnosis. Even though he has no medical knowledge or experience, Nobumasa Tsuboi begins to study about artificial hearts.

In 1984, an up-and-coming writer named Aida Taiju has her career crushed by off-hand criticism from an established author, Higashijujo-sensei. They end up holed up writing in the same hotel historically favoured by authors in the Jimbocho publishing district. Swearing revenge, Taiju makes Higashijujo miss his writing deadline by pretending to be a different person, and entangles her editor into the ruse. They become entangled in a long-lasting feud of revenge where Taiju uses her acting background and pretends to be various different women in order to have her revenge on Higashijujo or blackmail him. Based on a novel by Asako Yuzuki from 2012.

No plot available for this movie.