
Jafar Panahi (born in July 11, 1960) is a representative of Iranian “New Wave.” He is one of the leaders of contemporary Iranian cinema. Panahi’s work, from his first attempts to discuss social issues to his later and braver discussions of taboo topics in Iran are a creative reflection on the nature of cinema and human society, and are imbued with humanity. In 2010, the court in Iran sentenced Jaf...
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Jafar Panahi and fellow Iranian director Majid Barzegar take a 20-minute drive to Kiarostami’s grave, during which time “the two friends speak appropriately of cinema, but also censorship and festivals, police power and ideology.”

Filmmaker Jafar Panahi recalls the cinephilia of his youth from the surreal remove of the 2025 New York Film Festival.

For 25 years, Samadian traveled with Kiarostami and recorded their journeys. He now turns that footage into a film in the spirit of Kiarostami's own films, arranging within it the secret keys to the beauty and mystery of his films. Ten stories, ten journeys unfold, using the ‘car’ and the ‘road’ as motifs. What does it mean to be on the road with Kiarostami?

A passionate declaration of love for the cinema and poetry of Iran, which also offers a frank view of the precarious situation for critics of the regime and shows the uncompromising daily struggle of Iranian women against their oppression.

On May 18, 2017, the Busan International Film Festival’s Program Director Kim Jiseok died suddenly and unexpectedly from a heart attack while on a business trip to the Cannes Film Festival. In the face of his unexpected demise, his old friends and colleagues in the film industry recall what tormented him in his last days.

Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

A portrait of the Panahi family's matriarch as the pandemic makes it more difficult for intergenerational connection.

Jafar Panahi sets out to find a Kurdish young woman with a golden voice that has been forbidden to sing by her family.

Secretly filmed in Iran for over two years, Nasrin is an immersive portrait of human rights activist and political prisoner Nasrin Sotoudeh and Iran’s remarkably resilient women’s rights movement. Nasrin has long fought for the rights of women, children, LGBT prisoners, religious minorities, journalists and artists, and those facing the death penalty. She was arrested in 2018 for representing women who protested Iran’s mandatory hijab law and sentenced to 38 years in prison, plus 148 lashes. Narrated by Academy Award-winning actress Olivia Colman and featuring acclaimed filmmaker Jafar Panahi, Nobel Peace Prize laureate Shirin Ebadi, journalist Ann Curry, exiled women’s rights activist Mansoureh Shojaee, and Nasrin Sotoudeh.
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